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Artist Abel Tilahun splits his time between his Addis Ababa studio and Washington, DC, where he has taught as an adjunct professor at American University and Marymount University. (Photo: Facebook)Tadias MagazineBy Tadias Staff January 1st, 2018 New York (TADIAS) — Abel Tilahun’s upcoming exhibition entitled Vital Signs will open at the American University Museum in Washington, D.C. on January 27th, 2018 featuring the artist’s multidisciplinary interest in sculptural installation, video art, drawing, and painting.
The event’s press release notes “intellectually fresh and moving, Abel’s work represents an unwavering voice of his generation.” Abel, who currently divides his time between his Addis Ababa studio and Washington D.C., was one of 10 finalists for the 2016 Financial Times OppenheimerFunds Emerging Voices award for visual art. The Vital Signs exhibit is curated by Ethiopian Anthropologist and Co-Founding Director of Zoma Contemporary Art Center (ZCAC), Meskerem Assegued.
Abel Tilahun’s artwork. (Courtesy images) Abel’s new exhibit “explores universal human experience through the manifold meanings we associate with the human body, its parts, its sustenance, and its loftiest ambitions” the announcement adds. “At the heart of [Abel's] work are traces of both the cutting edge and the long arc of history. His art considers both the distant realms of an almost forsaken planet in ‘Solo,’ and the microscopic realm of the beating heart in ‘Heart of Gold.
’ With this zooming in and out, however, there is no whiplash. The common thread is the way in which Abel’s work foregrounds the value of the human experience within widely divergent contexts.” Abel Tilahun, Whirlwind, 2014. Print on archival paper, 44” x 84.” (Courtesy of the artist) Abel has shown solo exhibitions Odyssey? (2017) at Alliance Ethio-Francaise (AEF) in Addis Ababa, Interface Effect (2014) at AEF, A Generation Projected (2010) at ASU’s Cloyde Snook Gallery, and Blueprint (2007) at AEF.
Abel’s notable group shows include Curvature of Events, curated by Meskerem Assegued at the New Master’s Gallery of the Staatliche Kunstsammlungen Dresden in Germany (2014-2015), which traveled to the National Museum of Ethiopia in 2015. Abel has presented artist lectures at Independent Curators International in NYC, Zoma Contemporary Art Center in Addis Ababa, the National Museum of Ethiopia, AEF, ASU, and Staatliche Kunstsammlungen Dresden, among others.
” —If You Go:VITAL SIGNSArtist: Abel TilahunCurator: Meskerem AsseguedJanuary 27- March 11, 2018Jan 27: Gallery Talk 5–6 pm, Opening 6–9 pmAmerican University Museum at the Katzen Arts Center4400 Massachusetts Ave, NWWashington, DC 20016(202) 885-1300www.american.edu/museum Join the conversation on Twitter and Facebook.
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ELIAS SIME Elias Sime (b.1968 Addis Ababa, Ethiopia) is a multi-disciplinary artist working primarily in relief sculpture and architecture. For more than twenty-five years, the artist has made collage and sculptural assemblage from found objects such as thread, buttons, plastic, animal skins, horn, fabric and bottle tops, alongside organic building materials and binding agents such as mud and straw.
Many of the objects come from Mercato, the Addis Ababa open-air market said to be the largest in Africa, and in particular the market’s Menalesh Tera section—literally “what do you have?”—where trash is repurposed in resourceful ways and its new potential is shared among the community. Sime’s work achieves effects from dense narrative to austere modernist abstraction. The artist resists the collagist’s shorthand of using discarded objects as traces or poetic stand-ins for human feelings or individual lives, favoring instead the idea of what Frieze writer Quinn Latimer has called “the feverish fusion of a multivalent society.
” Sime is as interested in a stripped motherboard from a mobile phone as he is an animal skull or worn-out button: the artist looks past the emotional weighting of new versus old, instead finding renewal everywhere, and taking greatest interest in the way that objects and ideas can connect in new ways. Sime has a masterful handling of material, with fluency and pure formal instincts a hallmark of his practice.
In the past decade he has sought to better understand the cultural and historic underpinnings of those instincts, traveling with the anthropologist Meskerem Assegued through rural villages in Ethiopia to research ancient rituals still in practice. Sime collects histories and vernacular techniques as much as objects. Holland Cotter of The New York Times writes, “Sime’s work, while culturally specific, has always been universalist.
And although never without critical thrust — no one knows better the horrors visited on Africa by shipments of toxic Western e-waste — it is utopian.” Elias Sime (b. 1968, Addis Ababa, Ethiopia) is a prominent name both in Africa and internationally. With the full cooperation of curator and anthropologist Meskerem Assegued, Sime founded and designed the Zoma Contemporary Art Center in Addis Ababa, an international art center described by the New York Times in 2009 as “a voluptuous dream, a swirl of ancient technique and ecstatic imagination.
” His work has been shown internationally at the Dak’Art Biennale in Dakar, Senegal; the New Crowned Hope Festival in Vienna, Austria; and in the United States at the Metropolitan Museum of Art, New York; the Studio Museum in Harlem; and a survey exhibition that traveled from the Santa Monica Museum of Art, California, to the North Dakota Museum of Art. Sime designed various costumes, props and set-pieces for Peter Sellars’ production of Stravinsky’s opera Oedipus Rex, performed at the Sydney Opera House as well as in Los Angeles, Aix-en-Provence and London.
An upcoming performance of the opera will be staged in Stockholm. Elias Sime’s work is included in the permanent collection of the Metropolitan Museum of Art, New York; Israel Museum, Jerusalem; North Carolina Museum of Art, Raleigh; Toledo Museum of Art, Ohio; Perez Museum of Art, Miami; North Dakota Museum of Art; Newark Museum, New Jersey; Pizzuti Collection, Columbus, Ohio; Harn Museum of Art, University of Florida, Gainesville; Hood Museum of Art, Dartmouth College, New Hampshire; Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY; and the Kemper Museum of Contemporary Art, Kansas City, MO.
Title: Zoma Contemporary Art Center