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Distinct Critical Artwork Concepts have progressed comprehensive unique eras, with the changing artists' perceptions of processing, examining, and responding to varied art kinds. Their inventive expressions are explored by their development, functionality, and participation in arts. Every single historic era has given novel contribution of historic and cultural contexts for creating the main element Arts Fundamentals on the relevant interval. Visible Arts support artists assimilate the key Arts Concepts of Symmetry, Colour, Sample, Contrast as well as distinctions between one or maybe more elements from the composition. The true secret Art Principles of Visual Arts aid understand and distinguish between the size including, Symmetry & Asymmetry, Positive & Negative Space, Light & Dark, Solid & Transparent, and Large & Small.See Also: International Journal Of Research In Arts And Social Sciences
Artwork plays a vibrant role from the personal life in the individual as well as in the social and economic development of the nation. The study of Visible arts encourages personal development plus the awareness of both our cultural heritage and also the role of art inside the society. The learner acquires personal knowledge, skills and competencies through activities in Visual arts. When one studies Visual arts, he/she would come to appreciate or fully grasp that artwork is an integral part of everyday life.
"What, me worry?" For decades a key influence on parodists and satirists in all entertainment media, MAD began in 1952 as a full-color Comic Book, Tales Calculated to Drive You Mad, published by EC Comics. Harvey Kurtzman, the founding editor and writer, started it when he complained how other artists got more money with more page counts, especially when he was so meticulous with his war comics. His publisher, William Gaines, suggested that he do a humor book on top of his present work since that material came easily for him.
Kurtzman began by satirizing popular comic book genres of the time (horror, crime, SF and adventure), but soon found his niche concentrating on parodies of specific comic books and strips, TV shows, films, and classic literature, as well as broader satire of American pop culture. EC artists, such as Jack Davis, Will Elder and John Severin, accustomed mostly to drawing in a "serious" style, were encouraged to cut loose for MAD, resulting in panels filled to capacity with outrageous caricatures, physics-defying antics, gross-out humor and innumerable background signage gags.
In July 1955, with issue 24, MAD became a black-and-white magazine (only to become color again in the 2000s). Contrary to popular belief, EC did not do this in order to escape The Comics Code. Rather, Kurtzman had received an offer from the more lucrative magazine market, and so EC publisher Bill Gaines proposed the change in format in order to retain him. Nevertheless, the new medium benefitted from the lack of censorship, as well as the broader range of subject matter and media available (including prose and photo features).
By late 1956, MAD had become EC's only surviving publication. As history shows, it was more than enough for the company to prosper with.In the late 1950s and early 1960s, MAD began to take on its most familiar (and commercially successful) form, with a long-lasting team of core writers (Jerry DeFuccio, Dick DeBartolo, Frank Jacobs) and artists (Don Martin, Al Jaffee, Dave Berg, Mort Drucker, Angelo Torres, Bob Clarke, Paul Coker, Norman Mingo (long time cover artist), George Woodbridge, Antonio Prohías, Sergio Aragonés) and a willingness to take on any target it felt it could get away with.
More recent contributors (since the 1980s) include writers Desmond Devlin, Arnie Kogen, Michael Gallagher, Charlie Kadau and Joe Raiola, and more recent artists include Don "Duck" Edwing, Tom Bunk, Sam Viviano, Rick Tulka, Tom Richmond, and James Warhola.For the page on the animated spin-off see MAD. See also MADtv, the loosely-affiliated Sketch Comedy show, and Planet Tad, a regular feature in the magazine that was released as a book in 2012.
Not to be confused with Mutually Assured Destruction. This magazine contains examples of: Absentee Actor: Invoked with a literal example in parodies from time to time, such as "Goofies" (The Goonies) which is notably missing Martha Plimpton's character Stef. Actor Allusion: Invoked in the movie / TV parodies, there are many jokes related to this. Actually Pretty Funny: It's almost become routine for celebrities to write to the magazine with positive reviews of articles that parody their works, some of them including photographs or even original artwork, which the magazine always displays on their letters page.
In one "A MAD Look At", a student tells an apparently offensive joke. The teacher steps out into the hall, laughs, then returns to class to scold the student. Adaptational Villainy: In several cases, often in parodies of TV shows, the culprit is one of the heroes. Added Alliterative Appeal: "Duck" Edwing titles every one of his one-page "Tales From the Duck Side" strips this way, with colorful titles like "The Demonic Detector Disaster" and "The Cannibal Coffee Shop Conundrum".
Affectionate Parody: Largely averted. Most parodies of films include at least a few jokes overtly saying how bad the film is, the number of which depend on the quality of the film or the author's mood. Alan Smithee: Many articles have had pseudonymous bylines for various reasons. Some of the more popular are J. Prete, Josh Gordon (believed to be a pen name for longtime parody writer Arnie Kogen), and Jack Syracuse (a recurring alias of artist Sam Viviano).
Occasionally, other articles get one-time aliases, such as Dick DeBartolo calling himself "Dick Bic" on the Family Feud parody due to him also working for Mark Goodson Productions at the time; Mort Drucker signing his art "Bob Julian" on the 24 parody; or two parodies that Kogen attributed to "Debbee Ovitz". Animated Adaptation: For its first few years on the air MADtv aired animated bumpers featuring Don Martin characters and "Spy vs.
Spy". Cartoon Network premiered an animated adaptation, also titled MAD, in September 2010. It's the magazine in animated form: parodies and quick gags. Anime Hair: Monroe of the Monroe and... series had two antenna-like hair protrusions. Appeal to Worse Problems: Sometimes, people are mocked for their own exceedingly petty concerns when there are worse problems out there, especially when the news media cover celebrities over important events abroad Arc Words: In one story about a criminal and mass murderer known as Mole, it's frequently promised that one day, he'll go "straight to the electric chair.
" In the end, he accidentally tunnels his way straight to the execution chamber. Parodied in the parody for the Tomb Raider film, in which all the references to 1,000 years were meant to fill out the script quickly in case the writer's guild went on strike. Art Evolution: Many of the longtime artists have done this, whether by choice or by old age: Sergio Aragonés went from a somewhat plain style to his loose but highly-detailed Signature Style.
Dave Berg's style becoming sloppier as his motor skills declined. Al Jaffee's style grew more cartoonish since the 60s and 70s, and from the late 1990s onward, it has gotten a little more muddy looking due to his increasing age. Everyone's art was a lot more interchangeable in the 1950s, even stalwarts like Mort Drucker, George Woodbridge, and the aforementioned Jaffee. One gets the impression that they were being told to copy the Elder/Kurtzman style instead of pursuing their own, then given more freedom after Elder and Kurtzman left.
Artifact Title: The 'departments' listed at the top of each article. This is a leftover from the days when Mad was a color comic book in the 50's, when it actually had things like "Western Department" or "Horror Department" depending on the article's subject matter. Now (and at least since the 60's) it's little more than a throwaway gag and usually Just for Pun. Ask a Stupid Question...: The premise of Al Jaffee's recurring "Snappy Answers to Stupid Questions.
" Author Appeal: Sometimes, certain parodies are taken up by artists and/or writers who particularly like the subject matter or are particularly skilled at it. For instance: Dick DeBartolo usually handles the Game Show parodies, most likely because he used to work for Mark Goodson productions. Desmond Devlin usually writes about modern music, or franchises that are targeted to younger audiences (e.
g. Harry Potter). Previously, Frank Jacobs was the go-to writer for music and poem parodies. He also used to handle most of the comic strip parodies, usually with Bob Clarke (or occasionally Jack Rickard) serving as artist. Jack Davis loved to draw articles about sports and the Old West. Before he got promoted to art director, Sam Viviano usually drew the parodies of animated works. Most of the South Park parodies were drawn by Grey Blackwell because he was easily able to replicate the show's art style (although Viviano handled the two South Park-themed covers).
Al Jaffee used to love doing articles with creative technical takes on things (cutaways showing how things work or don't work, random inventions, Rube Goldberg Devices, etc.). According to artist Tom Richmond on a MAD forum, Hermann Meija usually gets to illustrate anything involving William Shatner because Shatner's likeness is hard to caricature properly when drawn by hand, a problem which Mejia does not have as he uses paints instead.
Author Avatar: Several artists are - or were - known to do this. Dave Berg did it Once an Episode, his "The Lighter Side" including a character named "Kaputnik" meant to be a caricature of himself. It has also been commonly done by Al Jaffee (who even uses a caricature of himself as his signature) and Sergio Aragonés. Author Tract: Mad has had quite a long-running relationship with The Simpsons, prompting the former to regularly launch take thats against Family Guy for perceived plagiarism and causing the latter to regularly feature Mad (with one notable episode having it be integral to the plot).
Badass Beard: William Gaines and Al Jaffee. Jaffee's signature is a caricature of himself, with "Al Jaffee" in place of the hair. Badass Mustache: Dick DeBartolo and Sergio Aragonés. Badass Preacher: The Ventriloquist Priest, who appeared in many Duck Edwing comics; he knew ventriloquism, and became somewhat of a non-violent Church Militant with it, doing everything from tricking miserly people into donating to charity to convincing would-be suicides not to jump, and even fooled Satan himself into leaving a possessed child by imitating the voice of God! Bad News in a Good Way: A series of notes do this for one person.
For example, a kid cheerfully talks about the "camping trip" in the desert he's having before mentioning that unless his parents pay the ransom, the kidnappers will leave him to starve. "Bang!" Flag Gun: Don Martin did "Great Non-Violent Guns◊" in issue #137, which parodies the use of these. The cover of issue #223 has a disembodied (and six-fingered) hand shooting one of these through the head of J.
R. Ewing. Beastly Bloodsports: MAD had an article parodying bullfighting as the noble sport of Dog Kicking (literally). Big Damn Heroes: Subverted in one early feature, in which in the "real life" version of the scene, more Indians arrive instead of the cavalry, overwhelming the settlers. Biting-the-Hand Humor: Whenever they mock something produced by Time Warner (including Warner Bros Studios and DC Comics) it can count as this.
Black Comedy: "Celebrity Cause-of-Death Betting Odds" is but one example. They actually got angry mail after running an issue in 1999 in which readers were encouraged to choose which way Pikachu was going to dienote , and on the back page, a spoof advertisement about several children's books as written by Dr. Jack Kevorkian, all with suicide or death themes. Blatant Lies: One picture has Richard Nixon as George Washington.
Holding an axe behind his back, he says "I cannot tell a lie! I DIDN'T DO IT!!" Bluffing the Murderer: One prisoner is tricked into confessing by being told that he will be given a pardon. His crime was stealing a loaf of bread. A more benevolent example of this Trope appeared in one of Duck Edwing's comics, where the Ventriloquist Priest fooled a killer into confessing this way. The Board Game: Manufactured by Parker Brothers in 1979.
Kind of like Monopoly, but with the goal of losing all your money. Bold Inflation/Emphasize EVERYTHING: Dialogue in the magazine tends to have several words bolded for no particular reason, particularly the majority of the nouns, and almost every sentence ends in an exclamation point! Bourgeois Bohemian: Once took a shot at Hollywood liberals for various hypocrisies; examples include promoting gun control despite starring in action flicks and preaching that a woman's body is her own property only to reject any actress who doesn't get plastic surgery.
Bowdlerise: This trope gets parodied mercilessly in Harvey Kurtzman's and Jack Davis's sketch Book! Movie! about the many changes made for a book's Live-Action Adaptation. Break Them by Talking: In the parody of Lois & Clark, at the end, Superman comes face to face with Newt Gingrich, who's allied with Lex Luthor. Gingrich then proceeds to portray Superman's actions as going against the Republican's agenda, hypocritically claims to be extolling family values, and eventually drives Superman to leave.
Breaking the Fourth Wall: Also in the movie / TV parodies. Briar Patching: A boy gets in trouble, and begs his mother not to tell his father, resulting in her deciding to do so. The boy's friend chastises him for letting his mother know his weakness, but the boy says his father is soft. Brick Joke: In the parody of The Matrix, as in the film, Neo's mouth vanishes when the Agents plant a bug in him.
At the end, after realizing his status as the One, he does this to Morpheus when facing another one of his long speeches. Broken Aesop: Invoked. One article talks about how various lessons in childhood are undermined by certain people and organizations not being held to those standards (a lesson about admitting your wrongdoing and accepting punishment is undermined by headlines about Nixon getting pardoned and Spiro Agnew getting off with a fine).
Butt-Monkey: Monroe Call-Back: A few in the Monroe stories, typically identified by "See Monroe and...". The ones that don't have this notificaition are typically Noodle Incidents. Captured by Cannibals: A common theme in "Duck" Edwing's one page comic features. Carload of Cool Kids: In one issue, there is a Dave Berg piece from the 60s or early 70s with a car overloaded with teenage boys. Father: Where are you going? Boy: To the school dance, Dad.
But first we gotta pick up our dates. Casual Danger Dialog: In movie parodies, heroes and villains will often converse amongst themselves or with each other in the middle of battle or chase scenes. Catch Phrase: "What, me worry?", "Price: $x.xx (Cheap!)", "Fa! Fa! Fa!", and "The Usual Gang of Idiots" (used to describe the creators on the credits page of almost every issue). Censorship by Spelling: In one "Lighter Side Of" strip, the parents are talking about their son's bad report card in front of him; the mother is reluctant but the father says "just spell it.
" So they have the conversation, which ends with: Mother: I-M W-O-R-R-I-E-D T-H-A-T H-E M-A-Y B-E S-T-U-N-T-E-D I-N-T-E-L-L-E-C-T-U-A-L-Y.Son: That's I-N-T-E-L-L-E-C-T-U-A-L-L-Y! Cheek Copy: As part of the changeover to the "edgier" style in the late 1990s, the first cover of the era (issue 356) had Alfred copying his butt, and pictures of his face coming out of the copier. Classically Trained Extra: Parodies often point out how much of a waste it is for an excellent actor to get a very small role.
Cliché Storm: Invoked; in the Dirty Dancing parody, every single panel except the introduction has a footnote describing the cliche in it, such as "Rich girl meets boy from the wrong side of the tracks..." Cobweb of Disuse: Done frequently, particularly in Sergio Aragonés' "A MAD look at _____". If a person bought something that sits in disuse, you'll see it sitting on a shelf or in a closet with spider webs.
Comically Cross-Eyed: A 1990s magazine cover shows the magazine title misspelled as MAAD with Alfred E. Neuman looking cross-eyed and the caption "Proof Reader Wanted!"  Comically Invincible Hero: Fantabulaman. Comically Missing the Point: Very frequent, to the point of being one of the magazine's stock jokes. "The Lighter Side" features this especially frequently. Compressed Adaptation: To varying degrees in the film parodies.
Most of the time, each of the major scenes gets one (or in some cases two) panels, but often, a fair amount of the film isn't even referenced, particularly toward the ending. In the "Indiana Jones and the Temple of Doom" parody, the entire climax happens in a single panel. Contractual Immortality: Often made fun of for long-running franchises. Batman and the Joker attempt to defy this trope at the end of the Tim Burton's Batman parody; the Joker, falling to his death, tells Batman not to save him lest they put him in the sequel.
In the last panel, Batman cuts the line he's swinging on in hopes of doing the same. Cool and Unusual Punishment: In the parody of "All the President's Men", a girl from the Republican Party who squealed on the party was tied to a chair and forced to listen to the "Checkers" speech, and watch home movies of Julie and David's wedding. In the parody of "Up the Academy", the main characters are set to the academy as punishment for various offenses (stealing, getting a girl pregnant, being a disgrace to the family), under the belief that it would ruin their careers.
One mob boss's subordinate pleads with him to reconsider, as it's too cruel of a thing to do to his son. Cool Old Guy: Lots. Most of the magazine's old guard are in their seventies and eighties, and Al Jaffee is in his 90s. Couldn't Find a Pen: Amusingly done in one "A Mad Look At", in which the victim writes out not only the name of his killer, but also his motivation. Creator Cameo: Whenever "The Lighter Side of The Office" appeared, the office itself feature real-life MAD Magazine staff members, including Bill Gaines (publisher) and Lenny Brenner (production director).
After Gaines died, Dave Berg semi-retired the boss character. He still appeared, but as a picture on the wall silently reacting to the office antics. Creator Killer: MAD is relatively quick to label works as having destroyed the careers of those involved. Creator Thumbprint: Harvey Kurtzman had some odd attraction to the name "Melvin": an overwhelming amount of stories from his reign as writer have one of the characters named Melvin in them.
The name's even on the first cover. Damned by a Fool's Praise: This is sometimes used as a joke, albeit often with the twist that someone praising the things they do is the proof that they're a fool. The Dark Age of Comic Books: "If Truth in Advertising Laws Applied to Comic Books" skewered a lot of trends that plagued comic books in the Nineties. "Dear John" Letter: One article had a "Mad Libs" for this.
Death is Cheap: Boromir complains about being the only one in The Fellowship of the Ring who doesn't benefit from this, noting Gandalf's upcoming return from the dead, Sauron's spirit enduring and Frodo cheating death several times. Deconstruction: One of the older issues dealt with how a movie cowboy "Lance Sterling" would be different from a real life cowboy, "John Smurd". In the movie, Sterling defeats his rival in a long fistfight and gets the girl.
Smurd, however, misses several shots in a shootout, gets knocked out for some time after being hit with a chair, and shoots his rival dead after taking him by surprise, but gets hanged for murder. Reel Life vs. Real Life was a brief feature in the early 1990s that took several popular movies and asked how they would play out in reality. Similarly, the ending of the Top Gun parody has the hero's actions resulting in World War III.
Deconstructor Fleet: Unlike many examples, though, the deconstruction is typically Played for Laughs. Though not in the early Kurtzman issues, where the satire was often nasty because Kurtzman really did dislike quite a few of his targets. Kurtzman's early satires were aggressive because it pointed out what was disturbing about the targets. Like his parody of Archie, highlighted the slacker nature of the characters, their exploitative attitude to friends and authority and even Archie's misogyny and the shallowness of teen culture, pointing out that such a character would face worse social consequences in real life than in the world of the stories.
Superduperman mocks the Two-Person Love Triangle by insisting that "Nice Guy" obsession with being loved for their "true selves" is inherently pathetic. As Lois Pain tells Clark Bent when he finally reveals his identity, "Once a creep, always a creep." A Degree in Useless: One article says that anyone who can get a four-year degree in Ancient Babylonian Astrology in two years is a genius, but anyone who expects to get a good job with that degree is an idiot.
Denied Food as Punishment: Averted in the parody of The Shining. Danny asks his father, who is chasing him with an axe in order to punish him, if he could not send him to bed without supper like other fathers, but Jack says that with the food they have, that would be a reward. Depending on the Artist: Most artists who drew front covers stuck close to Kelly Freas's design of Alfred E. Neuman. Sergio Aragonés's three covers were closer to his loose, sketchy style, and John Caldwell's cover◊ was closer to his squiggly style.
(He drew a second cover in 2001, but it was changed at the last second because his original cover art was deemed possibly offensive after 9/11.) Lampshaded in Frank Jacobs' anthology of Mad covers, where Jacobs recalled a conversation with Aragonés over one of his covers: Jacobs said that it was one of the only Alfreds not to follow Freas' style, but Aragonés protested it was "the best [he] could do".
Drew Struzan's lone cover attempt◊ is eerily Off-Model too. Averted since the early-mid 2000s, as Mark Fredrickson has done most of the covers. Deus ex Machina: Many parodies are like this, such as their Desperate Housewives parody, which ended with Dr. Phil visiting the wives. Diabolus ex Machina: At the end of "The Goonies" parody, after the heroes find the treasure they need to save their homes, the police show up, arrest them for trespassing and confiscate their loot.
Die Laughing: Elijah, at the end of the Unbreakable parody. In his case, he laughs so hard that he literally disembowels himself. Disney Death: Frequently mocked in parodies, especially if the writers know the death will be reversed. Disproportionate Retribution: Frequently brought up and Played for Laughs, with characters in parodies often threatening to kill others for inconveniencing them, committing a Felony Misdemeanor, or even doing a good deed that they don't like for a petty reason.
One woman opposes the death penalty... except for a man who gives his wife a black eye. Distinction Without a Difference: In the "Ecch-Men" parody, the Mutant Control Agency is not run by the government - it just gives them a building, funds them, and looks the other way when they attack mutants. Beast calls it "Federal-speak". Divorce Requires Death: In the parody of The Godfather Part II, when Kay demands a divorce from Michael, he refuses because it is against God's will.
He then turns to family consigliere Tom Hagen and orders a "hit" on her. Hagen then tells Michael he is a good Roman Catholic for not divorcing her. Also in the parody of the Shining, in which Dinny's mother tells him that his father is trying to kill her because, as a Catholic, he cannot divorce her. Dogged Nice Guy: In the "Superduperman" parody, Clark Bent is this to Lois, and is played in a creepy and Stalker with a Crush sense.
He spends his life savings to buy a pearl necklace for Lois, just for the chance to sniff her perfume. Don't Explain the Joke: In the "Plastic Sam" parody, a guard pauses to explain why he's looking around in surprise like he did in the previous panel, before doing so again in the next. Don't You Dare Pity Me!: In one "The Lighter Side Of", a man politely refuses assistance carrying his groceries to the car, saying there are things he has to do himself.
It turns out he parked in a handicapped parking space despite not being handicapped, and this attention is the reason he regrets doing so. Downer Ending: Every entry in the "Monroe and…" series has one. Discussed in one "Lighter Side of" strip, when a man gets depressed by reading a book with such an ending, and his friends tell him not to read books like that if they make him sad. He explains that he has no choice, since the "book" in question is his checkbook.
Draco in Leather Pants: Invoked; many parodies will have characters expressing admiration for the villains, such as in the parody of "Bonnie and Clyde". Drill Sergeant Nasty: In one article about comic strip characters turning nasty, Beetle Bailey becomes one... after making Private First Class. Driven to Suicide: In one article parodying how the gifts from "12 Days of Christmas" make terrible gifts in reality, the woman, having her apartment ruined, running into legal trouble and literally going insane from her boyfriend's gifts, kills herself and in her will, arranges for him to get the same gifts, which possibly makes this a Thanatos Gambit.
Drugs Are Bad: Bill Gaines did not smoke or drink, and had a strict policy against alcohol and tobacco being portrayed in a positive light. He once required Antonio Prohías to redo one initial sketch of a "Spy vs Spy" comic because the two Spies were smoking and sipping cocktails in the first two panels. Durable Deathtrap: Parodied in "The Goofies", when the kids note that the amazing part about the traps is "that everything still works after being in a damp cave for centuries.
" It turns out, though, that they broke into Disney's Pirates of the Caribbean ride. Early-Bird Cameo: Many artists and writers submitted one-offs well before they became regulars. Examples include: Al Jaffee, who first illustrated for the mag in the 1950s, jumped ship to Cracked and returned by the 1960s. Sam Viviano drew a cover◊ in 1980, four years before any of his other work appeared in the mag.
By the late 1990s he was promoted to art director, and what little illustration he did after that was typically credited to Jack Syracuse. Dave Manak wrote two back-cover gags in 1980 before returning to the mag between 1993-1997 to illustrate (and sometimes write) Spy Vs. Spy plus a couple one-offs (one of which did not surface until 2003). John Caldwell wrote a three-page gag in 1978, and wrote and drew a back cover gag in 1982, but didn't return until 1987.
Ray Alma's first art credit was an article parodying Lollapalooza in 1996, and he didn't do anything else until 3 years later. C. F. Payne drew a back cover gag in 1992, then returned to draw eight covers between 1996-2002. Early Installment Weirdness: The early issues (of the magazine format) were very different. The humor was "lighter and softer", the tv/movie satires were less biting and more likely to deviate from the plot, and most notably, they had contributions by famous humorists of the day (Bob and Ray, Danny Kaye, Sid Caesar, Andy Griffith, Stan Freberg, Jean Shepherd, etc.
). It wasn't until the sixties until it gained its traditional format it's most known for. Even some of the artists and writers display this beyond the scope of Art Evolution. For instance, Don Martin's early gags were often Black Comedy, lacking the manic pacing and wacky sound effects he would soon become known for. His change in tone may be in part to Duck Edwing joining as a frequent ghost-writer of his gags.
Some of the very early (1955-56) issues had some very long essays with very little artwork, something that rarely happened in later issues. In the earlier installments of "Monroe and..." Monroe's parents were actually caring and loving towards their son but as the strip progresses by the third installment, Monroe's mother becomes more and more of a slut, Monroe's father is more of a conniving con man of a dick, and both of them become more and more uncaring and apathetic towards their Buttmonkey son.
Ending Fatigue: Movie parodies often make fun of the film continuing even though it doesn't make any sense to. For instance, their parody of The Green Mile ends with a complaint that it was "long winded" despite the parody being a scant four pages. Entitled Bastard: In one "Lighter Side of" strip, a hippie calls cops "Fascist pigs," then yells for help from the police when a man attacks him. The police then ignore him, saying that there's nobody there but them, the pigs.
Equal-Opportunity Offender: Name a piece of Western media, political candidate, celebrity, trendy cause, or societal trend, and the magazine's probably spit-roasted it at some point. The offended parties who have sued them (and lost) could fill a small law library in regards to the protected status of parody and the press in American law. Half of every politically themed article bashes Democrats, while the other half usually bashes Republicans.
Everything's Better with Monkeys: One recurring sketch in the "Fundalini Pages" (a slapdash collection of mini-gags at the front of the mag) involves randomly adding monkeys to certain famous photos. Taken Up to 11 with an issue featuring nothing but monkeys. Evil Lawyer Joke: Used quite frequently, and discussed in one Lighter Side strip, in which it a lawyer points out that no one likes lawyers until they need one.
Evil Versus Evil: Winthorpe and Valentine's conflict with the Duke brothers in the parody of Trading Places is considered this, with one person saying that the "two old sharks" were practically lovable compared to the protagonists. Exact Words: Done quite often and in various contexts. For example, one condemned prisoner is promised that he won't be given the electric chair, but instead is microwaved to death.
Explain, Explain... Oh, Crap!: In the parody of "The Godfather" Vino Minestrone: Could I be harmed by that cute Italian fish peddler? By those sweet Italian kids, playing Hop-Scotch? By those nice Italian button men in their big black car... barreling down on me at 80 miles an hour? OH-OH!! Subverted in "Ecch-Men" Judo-Lee: If they register me with the Federal Mutant Agency, I'll be taken away! That means I'll never see mom and Dad again! Hey, cool! In the parody of The Shining, there's one such exchange.
Egbert Grisly: They TOLD me that I would rot in Hell! Wack Torrents: Well, I'm glad you learned your less- Wait a minute!! You mean THIS place is HELL?!? Explosive Decompression: The fate of one worker in the Outland. Expy: Al Jaffee's feature Snappy Answers to Stupid Questions uses the same format as Rube Goldberg's early 20th century newspaper feature Foolish Questions. In turn, both are in the same format as Bill Engvall's "here's your sign" jokes.
Fair Cop: Averted in one article of things you don't see on TV, in which two male cops refuse to have their unattractive female partner serve as a decoy because no one would attack her. Face on the Cover: Nearly all issues have featured their mascot Alfred E. Neuman on the cover. Fake Band: In 1959, a novelty record was released with the credit "Alfred E. Neuman and his Furshlugginer Five", a series of uncredited musicians.
The A-side is a novelty song titled "What, Me Worry?", with an uncredited man singing in the role of Alfred, and the B-side is an instrumental piece called "Potrzebie". Family-Unfriendly Aesop: Invoked when the Superman III parody, discussing Superman's inner struggle, points out that good triumphs over evil, if good is more violent than evil. The E.T. the Extra-Terrestrial parody has the main character's mother tell him, in response to E.
T.'s Disney Death, that death is nature's way of saying you're now nothing but useless garbage, a vastly more cynical take on the "everyone dies someday" aesop that some works for children refuse to shy away from. The main character is understandably disturbed by what he hears. Family-Unfriendly Death: The parody of Gremlins often poked fun at the use of this trope, saying that the main antagonist's gruesome death is less likely to make you realize that good triumphs over evil than to "barf your guts out.
" Fanservice: Dave Berg's and Mort Drucker's women, or at least until old age took its toll on Dave's drawing skills. The Grey Spy as well. Yow. Bill Elder was drawing hot chicks since the book's start. The lady in red in "Dragged Net!" in #3 is a good example. Wallace Wood's women. The preface to the 2002 re-release of The Mad Reader goes out of its way to point out all of the fanservice contained in Wood's Flash Gordon parody.
Jack Rickard and George Woodbridge drew some very attractive women as well, although their styles were a little more understated. Every so often, we get full-frontal female nudity (usually in the "A Mad Look At [X]" department), although done in the trademark crude, cartoonish style. It's usually for purposes of Distracted by the Sexy towards a bufoonish male character. Fantastic Measurement System: Issue #33 had the "Potrzebie System of Weights and Measures", sent in by a 19-year-old Donald Knuth, who later became a computer scientist.
The base unit was the thickness of Mad issue #26, or 2.263348517438173216473 millimeters. "Far Side" Island: A frequently-used trope in Don Martin's work. Faux Affably Evil: One mugger approaches a target, pretending to be a beggar, and acts polite while he says he has nothing to his name, before threatening his victim with a gun. Felony Misdemeanor: A running gag, especially in parodies, when characters get angry with others over minor slights rather than things that would be considered unforgivable.
Fictional Sport: 43-Man Squamish. (MAD #95, June 1965). Also an example of Defictionalization, as one group in Canada actually formed a 43-Man Squamish team. An earlier example is an article (guest-written by Ernest Kovacs, the famous TV comedy pioneer) for a board game called "Gringo" (MAD #29, September 1952). And again with the board game "Three-Cornered Pitney". (MAD #241, September 1983) Final Speech: Mad often parodies the tendency of characters to do that in spite of injuries that should have killed them, and the "Tumbrel Cart" cliche movie prop is designed for this purpose, with a reference to A Tale of Two Cities Flipping the Bird: The cover of Mad #166, which was nothing but an illustration of someone doing just that, captioned by "The Number One Ecch Magazine".
Many newsstands refused to display this issue. Flopsy: In one Monroe strip, Monroe's forced to do this for his father, after accidentally derailing the lawsuit against the pesticide manufacturer (along with their attempt to cash in on it), by inadvertently implying that the plaintiffs who got sick had been huffing the product. For Inconvenience, Press "1": Parodied in one "The Lighter Side Of", in which a woman eagerly chooses the option for people who want to speak with a human being like they used to.
For the Lulz: At the end of the "Outland" parody, the computer doesn't do anything to stop the hero and his wife from traveling to each other's current location, because it believes that even machines deserve to have fun. Forgotten Fallen Friend: In the Top Gun parody, after "Goof" dies, Maniac is told that "When a buddy goes, you've just got to let him go!" He immediately responds, "Let who go?", causing the questioner to note that he learns quickly.
Fractured Fairy Tale: One of Frank Jacobs' favorite tropes was to write satirical versions of Mother Goose rhymes, typically in some sort of theme. Freudian Excuse In the parody of Quiz Show, Charles mentions that he wanted some way to impress his father, when he couldn't find a word that rhymed with Orange. In the parody of Tim Burton's Batman, the Joker's maniacal speech about wanting to cut up Batman and spread him over the city is said to have been from watching WWE interviews.
In the parody of "Contact", "Ellie Outaways" is an atheist because her father died when she was young, as a result of her getting him his medication, but running to the bathroom and back in slow motion. Funny Background Event: The main premise of Sergio Aragonés' "Drawn Out Dramas" in the margins. Many of the parody artists tend to do this as well, some moreso than others; in the Kurtzman era, they were called "chicken fat".
They're quite common in the direct parodies of television shows and films. Tom Richmond: "Doing art for MAD is not about just drawing. It’s about adding humor on a visual level. That might be using funny images or adding visual gags. No extra pay, sadly." Gag Words: "Fershlugginer" and "potrzebie" top the list. Gainax Ending: "Julius Caesar" — a comic that demonstrates typical Mad elements — ends in such a fashion.
...matter of fact, this MAD comic book isn't really MAD comic book... Gag Nose: Appears on characters drawn by Don Martin, Al Jaffee, "Duck" Edwing, Sergio Aragones, and pretty much every artist with caricature-like styles. Gambit Pileup: In Spy vs. Spy. Genre Blindness: Characters who exhibit this behavior in parodies are routinely mocked for it. In the parody for Under Siege, the female lead tells Steven Seagal's character that he would have been able to foresee the cliche of her abandoning her pacifism and killing someone with a gun to save his life if he'd watched more movies.
Get into Jail Free: Deconstructed when they point out that Michael of Prison Break will have to serve his own sentence even if he clears his brother's name. Getting Crap Past the Radar: Although the magazine had become more vulgar in the 1990s, it has usually refrained from using "fuck" and "shit", and the few times it does, they are censored with asterisks (for example, "F**k."). Usually.◊ (The F-bomb is to the left of the cardboard box.
) Al Jaffee snuck the word "shit" into an article entitled "Who's Who at a Comics Convention" and Aragonés drew barely-visible uncensored penises in the graphics accompanying a Frank Jacobs-penned parody of "We Are the World". Sergio got away with female nipples a whole lot of times. A parody of Archie has Biddy hurl herself at Starchie. As she does so, several syringes and bottles of pills spill from her handbag, and this was a strip from the fifties! "Woman Wonder!" saw the titular character change her outfit inside her invisible jet with it implied her boyfriend was watching her.
He keeps a horrifically lecherous face through the next few panels. They've never been afraid of the Stealth F-bomb. For instance, their parody of Welcome Back, Kotter included the exchange Minus five percent? How can you get -5% on an exam? He spelled his name wrong! That's S-H-O-T, Horseshot! As mentioned above in Fanservice, cartoon nudity every so often (including, in the late 90's/early 2000's, a doctor ogling a woman through an X-Ray machine, and another where a woman flashes the bouncer at a club to get herself and boyfriend in.
When they did a special on The Matrix Reloaded, the overseer program watches porn on all his TV's when it doesn't have company. In The New '10s, a mexican lady skinny-dipping in the Rio Grande to distract the border guards from a pack of illegal immigrants.). In the parody of "The Goonies," after one girl gets excited about a "huge stud," a guy has to clarify, saying that he's warning her about two giant tentacles, cutting himself off before he gets to what she thought she heard.
(Testicles). Gilligan Cut: In the parody of "The Godfather", Micrin reminds himself of what he was instructed to do on the hit on Plotzo, and in the next panel, starts screaming and swearing at Plotzo. Glad I Thoughtof It: In one "Lighter Side" feature, an editor brings up an idea his subordinate has, while mentioning that he isn't fully convinced of what his subordinate suggested. When his superior approves, the editor claims the credit.
God-Mode Sue: Fantabulaman is a deliberate example. Gold Digger: A few are parodied. In one "Ventriloquist Priest" strip, the priest forces one into an Engineered Public Confession by pretending to be God and saying that her groom's death will come in days. Good News, Bad News: From the "Billy Jock" parody Billy: Barby Doll, I'm afraid I've got some bad news... and some good news for you! First..
. I shot and killed your Father!Barby: Okay... now tell me the BAD news!Billy: Oh, wow! You're even tougher than I am! In the parody of Under Siege, the military says that the bad news is that a nuclear missile will hit Hawaii, but the good news is that vacations there will become much cheaper. In the parody of The Fugitive, Kimble's told that while he's being sentenced to death, because he's a doctor, he can save the state some money by peforming the lethal injection on himself.
Grand Finale: Parodied in "The Final Peanuts Episodes You Never Saw", which gives its own closure on the strip's recurring gags and characterizations (e.g. Linus gives up his Security Blanket to take up smoking as a new coping mechanism, Peppermint Patty and Marcie move to San Francisco, Lucy gets a Literal Ass-Kicking for trying the football prank on Charlie Brown yet again, and Charlie Brown puts Snoopy to sleep after getting fed up with his constant fantasizing).
Gross-Out Show: Puh-lease! They mastered this type of humor before it was considered cool! Hand Wave: This trope is frequently made fun of in parodies when MAD notices it, and they sometimes come up with their own when they notice a Plot Hole. Headless Horseman: This◊ 1960 Halloween cover. Helping Granny Cross the Street: The magazine had a series of comics based on this trope. The final one subverted it - the scout ignored the old lady in favor of a young attractive one, and an older scout master had to comfort the poor granny.
In the Casablanca parody, as Rick says that he won't stick his neck out for anybody, some onlookers note that he once helped an old lady across the street... into traffic. Henpecked Husband: In one article about how various products get their names, an executive of a whiskey company invites all of his coworkers to his house for a brainstorming session, and they taste test the product they're about to name until they all get visibly drunk.
His wife shows up and angrily throws all the men out of the house, and while the man complains about his wife, it leads to a Eureka Moment and the name of the product- Old Crow. Hero with Bad Publicity: Justified in the "Ecch-Men" parody, when Professor Ecch complains about Geraldo and others who "fight and scorn" them, but Cyplops points out that their out of control powers "have killed a fair number of totally innocent people.
" Historical Hero Upgrade: Lampshaded in the introductory text of "A Booty-filled Mind" regarding John Nash, but not referenced in the actual parody. Hitchhiker's Leg: Parodied in #120. A pretty girl tries to hitch a ride by pulling up her skirt. A car stops, the driver gets out, takes a picture, then gets back into his car and drives away. Honest Advisor: The magazine, especially in the '60s and '70s, was popular among kids because it was one of the few places adults would be honest about some aspects of the world.
Hotter and Sexier: The magazine got considerably more vulgar in the late 1990s, leading to the departure of some veterans such as longtime artist Jack Davis. Lampshaded in the first "hotter and sexier" issue, which had Alfred E. Neuman photocopying his ass. Human Knot: One of the magazine covers from 1999 has Steve Austin doing this to Alfred E. Neuman. Hurricane of Puns: Often done, such as in the fight between Superman and Zod in the Superman II parody.
Often, the puns are the subject of the joke, rather than the joke itself. Hypocrite: Frequently and mercilessly made fun of. For example, in the parody of Gremlins, the main character tries to get the gremlins to live in peace with their own kind, but one of the evil ones thinks that "You HUMANS shuold talk about living in peace with your own kind!" Hypocritical Humor: The parody for South Park: Bigger, Longer & Uncut has this, combined with Never My Fault, when the parents of the main characters drop Cluster F Bombs while complaining about their children swearing, and when they can't figure out why they're doing that, blame the media.
I Have No Son: In the parody of "Superman II", Superman's mother does this to him, along with taking his powers. I Just Shot Marvin in the Face: This is frequently parodied, such as one person complaining that "Durn thing don't wor-" before emptying an entire clip into his chest. If It Was Funny the First Time...: Despite many changes in format over the years, some jokes in this magazine never get old: Al Jaffee still does many of the concepts he started decades ago (like the Fold-Ins, the Mad Hate Book, and of course, "Snappy Answers to Stupid Questions" Dave Berg started "The Lighter Side" in 1961, a mainstay of the magazine that was only retired due to him passing away in 2002.
Spy vs. Spy was also started in 1961, and has survived Antonio Prohías's death, appearing in every issue. Imperial Stormtrooper Marksmanship Academy: Often joked about in many parodies, such as The Matrix. Agent: What are these, smart weapons with stupid bullets? This was also lampooned in Wally Wood's Batboy and Rubin, featured in an issue that predated even Star Wars. ...In That Order: In Conquering the Planet that Went Ape, the intelligent ape addresses his army: All right! If we're going to win against the humans you need to listen up and stop embarrassing me! For example, when I tell you to put on your shoes and socks, I don't mean in that order! In the Name of the Moon: The parody for Pokémon makes fun of this, noting that Team Rocket prefers this over a shorter Catch Phrase to provide padding for the episode.
Insane Troll Logic: Often parodied, such as when Melvin, in response to the Y2K bug, does a Groin Attack on a police officer and claims that the other can't arrest him, as he was never born. Insistent Terminology: The point of "When You're Poor... When You're Rich" When you're poor, you vomit. When you're rich... you succumb to a sudden attack of nausea. I Want Grandkids: In one parody of Cathy, Cathy's mom torches the abortion clinics in town and sends two pro-lifers to prevent Cathy from getting an abortion even though Cathy was gang-raped.
She comments in the last panel that "the need to be a grandmother overrides all else". I Was Told There Would Be Cake: And there is, sort of. Traditionally, they have an annual letters page where they display photographs sent from fans with Mad-inspired cakes, which are frequently mailed in. "Join the Army", They Said: They once did a parody of the "Army Strong" ads called "Army Stuck." "Come for the dough.
Stay for the quagmire. There's stuck. And there's being stuck in the middle of another country's war with no end in sight." Just Between You and Me / Why Don't You Just Shoot Him?: In a feature discussing how movie scenes happen in the film and in real life, one scene had Lance Sterling and his girlfriend at the mercy of some mobsters. Instead of just shooting them, one mobster decides to take them outside to avoid drawing suspicion to the others (justified), then proceeds to tell him the plan (stupid) and then gives him a chiclet as his last request (completely unnecessary), allowing Sterling to jam his gun, defeat him and destroy the gang.
In the real life version, Sterling and his girlfriend get shot on the second panel. Karma Houdini: A major pet peeve of Mad's writers is when someone gets off without punishment, or a disturbingly light sentence. A Running Gag is how first-degree murder will get the offender only a few years in prison. Due to his huge amount of bad luck and his title of Butt-Monkey, everyone in "Monroe and..." except for Monroe himself is this.
However Laser-Guided Karma does occasionally strike Monroe's father, especially in the final strip. Lampshaded in Mad# 420 "Monroe and... Walt Disney World part 2" where Monroe is being arrested at the park and points out about his family, "Wait, these guys can torment the electric presidents and pluck and animatronic tiki bird and I'm the one being carted off?" of course it could be Selective Enforcement.
Kick the Dog: In Dave, when "Bund" forges the President's signature to cut funding for children's shoes, he offhandedly suggests that if the funding's cut in half, the children can simply hop. "King Kong" Climb: One cover features Alfred as King Kong. King Incognito: A king who wants to raise taxes decides to pass himself off as a beggar to see whether they're as badly off as his minister claims.
.. and he panhandles using his crown. Lampshade Hanging: Especially in Kurtzman's early deconstructionist parodies. Large Ham: The magazine often makes fun of actors who act this way. Last-Second Word Swap: One feature showed how to turn an offensive statement into a non-offensive one, often the complete opposite of what was about to be said. Like a Son to Me: Often parodied and even possibly deconstructed.
In the "NYPD Blue" parody, one character says that his boss was like a father to him, but it's pointed out that the speaker was abused as a child. Nicky and Rockhead Nicky:I've always treated you like a Father would! Rockhead: What? You t'row my stuff in the street... you yell at me in front of everyone... you make me feel like a stupid useless little kid! Nicky: See! I told you I treat you like a Father would! Like You Would Really Do It: Invoked for humor.
It's often pointed out that a certain outcome to a situation would make for a very short movie, such as Billy Jack getting killed at the four minute mark, and the cops being told to "shoot to miss" against Jack Napier in the Tim Burton Batman film parody. In one article parodying advertisements for comic books, they say that the comic book about Superman's death will be a hit among readers who honestly believe that Warner Brothers would kill off "a character worth billions of dollars.
" Lonely at the Top: One "Lighter Side" strip has everyone up the chain of command of a company hoping to take their immediate superior's job. The CEO says he wants nothing more than to be an entry-level stock boy again, since his position has brought him nothing but heartache. Long Title: The original title of the comic version was Tales Calculated to Drive You Mad: Humor in a Jugular Vein. The title for the parody of the movie Bob & Carol & Ted & Alice started out Boob & Carnal & Tad & Alas & and continued adding name after name of historical, entertainment, and political people running around the borders of the panels of the 6 page article, finaling ending next to the final panel with .
..& Everyone Else in the World & Alfred. The parody of the TV Series Room 222 became Room 2222222222ZZZZZZZZZZZzzzzzzzz. Ludicrous Gibs: Used frequently in Spy vs. Spy ever since Peter Kuper took over. Also, nearly any one-page gag drawn by Tom Bunk, especially if Michael Gallagher wrote the material. (Oddly, Gallagher usually tends to be much tamer when other artists draw his concepts.) Mascot: Subverted with the ugly Alfred E.
Neuman. Covers often show Alfred inserted into various scenes, such as in the role of the main character, with everyone else reacting in disgust and/or horror. The Masquerade Will Kill Your Dating Life: In their parody of the '60s Batman show, Robin's having to deal with his girlfriends leaving him because he's called away on crime-fighting business and can't adequately explain what happened without exposing himself, combined with Batman's lack of sympathy for him over having to do this, is the Boy Wonder's reason for his Face–Heel Turn.
May the Farce Be with You: Trope Namer. Their parodies of the first two Star Wars trilogies were all under "Departments" with this name. Meaningful Background Event: In the Monroe story in which he goes to China and gets tricked into working for a sweatshop, you can see his actual host family trying to get his attention at the airport as he runs into the sweatshop people. Metronomic Man Mashing: In one Don Martin cartoon, a man sees a bug crawling on the sidewalk and sadistically stomps on it.
In the next few panels, we see him balanced on the tip of his shoe and then slammed to the ground this way and that ("FWAPPPPP! FWADAPPPPPP!"). In the last panel, Don focuses in on the bug walking past the man's knocked-silly face, wearing a karate gi and wiping the dust from its hands. Mondegreen: One article humorously does this for various national anthems, such as "The Star Spangled Banner," with illustrations of the various scenes in question.
Oh say does our star-strangled Grandma smell Dave For the mandolin is free And our home is a cave. Morton's Fork: In "You Can Never Win With A Bigot," the prejudiced people spout off contradictory prejudices- if the elderly don't work, they are drains on society, but if they do work, they take jobs away from the young. Mr. Exposition: In the "Lethal Weapon" parody, the protagonists receive their exposition on a drug running conspiracy from a young boy, of all people.
Mugging the Monster: A mugger avoids robbing several strong people, but then chooses an old woman... who then blows him away with a gun. In one "The Lighter Side", a carjacker forces a woman out of her car at gunpoint; when she protests, saying her son is asleep in the back, he says he'll just hold the "little brat" for ransom. Then he finds out that her son is a grown man... who's a police officer.
.. who now has the drop on him from the back seat with his gun. In one Sergio Aragones section, a masher hits on two women, only to get a black eye from each; then he finds out both are Pro Wrestling divas. The Musical: The Mad Show, a 1966 off-Broadway production starring Paul Sand and Linda Lavin. With lyrics by Stephen Sondheim, no less. Mutual Envy: In the parody of "Thirty-something," two characters discuss that they've long been jealous of each other.
The first says that the second had everything she didn't as a child, while the second contends that the first is more successful in adulthood, prompting the first to say that the second is still "out-suffering" her. Nepotism: In one children's rhyme parody, a congressman gives his family jobs. His brother is his right hand man (He's never worked before) His father earns twelve grand a yearnote (He's paid to shut the door) His mother is a filing clerk (She cannot read or write) His sister mans the telephone (A chimp is twice as bright) Never Speak Ill of the Dead: Averted; Mad Magazine often likes making fun of or criticizing even recently deceased people.
Discussed in The Lion King parody when Simba, watching Scar flee into exile, tells his subjects to never speak well of him again, and The Simpsons in attendance note that people spoke well of Richard Nixon after his death. After Michael Jackson's death, they first ran a "Brutally Honest Obituary" that pointed up all the strange and suspicious things he did in life and printed his mugshot (taken, as they put it, "in happier days") from his 2003 arrest on child molestation charges alongside it.
The world essentially canonizing him as a saint was later declared the Stupidest Event of 2009. One comic has a ventriloquist priest pretend to use the voice of a dead man to bring up his rapid promotion. The assembly at the funeral, including the murderer, angrily denounces him. No Dialogue Episode: A Mad Look At... almost never uses dialogue; if a character needs to speak, it's usually represented through pantomiming or icons in a speech balloon, or very rarely, a "gesundheit.
" On one occasion, bodyguards listening to soccer on their earpieces scream "GOAL!". And Spy vs Spy. Some Don Martin installments qualify such as one with a motorist approaching a toll booth marked 'Pay Toll 50 Feet' .... And pulls 50 disembodied feet out of his trunk and hands them to the horrified toll taker. No Endor Holocaust: In the parody of Tim Burton's Batman, Batman causes the gas spewing balloons to drift away, and says that even if they poison other people elsewhere, "That's their problem!" In the parody of "Under Siege," the main character proudly states that by entering the kill codes and exploding the missiles off the coast of Honolulu, he'll be "a real hero.
" When the female lead tells him that the fallout will kill most of Hawaii, he admits "I never thought of that! But then, neither did our scriptwriter!" No Fourth Wall: Quite often, the characters in movie and TV parodies are blatantly aware that they're in a parody. Normal Fish in a Tiny Pond: One Nasty File article says the Police Academy movies "...prove that even Bubba Smith can seem like a talented actor if he's surrounded by a cast that's sufficiently untalented.
" No Sympathy: Often played for comedy, with parodied characters and original ones. Not in This for Your Revolution: A man throws a Molotov cocktail at a recruiting office, and a bunch of hippies praise him as a hero, but he says that he's just a pyromaniac. Obstructive Bureaucrat: Often made fun of, particularly in HMOs' heyday, when characters who need lifesaving vital medical treatment will have to fill out extensive paperwork first.
Obvious Object Could Be Anything: Given the surreal nature of the magazine, this is usually inverted. Oh, Crap!: In one page showing a nuclear power plant melting down, Alfred E. Neuman's smile fades, and he says "YES... ME WORRY!" At the end of his storyline, Mole, exhausted after tunneling a long distance, gives one when he realizes that he's ended up in the execution chamber, going "straight to the electric chair" as had been expected.
Old-Timey Ankle Taboo: There is a Monroe strip where the title character went on a fishing trip with his grandfather and at one point is shown his grandfather's collection of skin magazines. Monroe is disappointed by the fact that none of the women in the magazines are naked, but his grandfather disagrees. Monroe: They're all wearing clothes! Grandpa: Not quite. You can see just a hint of ankle. And look! Toes! Once per Episode: Nearly every issue since the 1960s has featured a Mad Fold-In and A Mad Look At.
.., with several other recurring features coming and going over time. Also, Alfred has appeared on almost every cover. Since January 1999, each January issue has included a countdown of the "20 dumbest things" of the previous year. One-Scene Wonder: Some parodies mention that very good actors often have only a single scene in a given film. Only Sane Man: The dog in the Fatal Attraction parody. "I hate watching my master cheat on his beautiful, trusting wife without feeling any pangs of conscience! He's acting like an animal! Not this animal, mind you- me he had fixed! Had he been fixed, it would've saved us all a lot of trouble!" Parents as People: The most generous Mad will get with the parents it lampoons, showing them as benevolent, if misguided.
When they're less charitable, they'll be depicted as low-grade Abusive Parents in their tendency to nag and belittle their kids, and hypocrites, if not worse. Parental Hypocrisy: The parents are often portrayed as this, not letting children do the things they did when they were young. Additionally, parents are often made fun of for making children take on "adult" responsibilities but telling them they're still too young to do "adult" things.
Parody Assistance: Chris Houghton, who draws covers for the Adventure Time comics, also did the cover to the Adventure Time-themed issue #520. Parody Commercial: A recurring motif. Sometimes the commercials themselves are parodied, while sometimes they're used to make fun of something else. Parody Names: Notably averted in the Seinfeld parody (and with Ripley - but only Ripley - in the Aliens parody), but usually played straight.
Pedophile Priest: A common joke; in the Road to Perdition spoof, Michael tells his son not to go to their Catholic priest, not because of his ties to the mob, but because he might be this. Perfectly Cromulent Word: "Potrzebie" was a Running Gag in the magazine's first decade. A fan (Donald Knuth!) made a "Potrzebie System" of weights and measurements◊ which got published in the magazine. Pet the Dog: Parodied and slightly deconstructed with the article on Compassionate Conservatives, which often shows them making compromises that tend to be hypocritical (sending all illegal immigrants home except for their gardners), or largely trivial (denying appeals based on DNA evidence for death row inmates, but allowing them to choose their manner of execution and last meal).
Perspective Flip: One article was a series of Peanuts-style comic strips that told the conflict between Snoopy and the Red Baron from the Baron's point of view. It was so popular, they made a sequel article. Plea Bargain: Often parodied, such as when a cop tells a suspect that if he pleads guilty to murder, he'll serve a light sentence, but if he takes a plea bargain, he'll be in Witness Protection for the rest of his life.
Polite Villains, Rude Heroes: An article on villains politely discussing their plans to kill or torture the heroes, while the heroes rudely reply. It even provides the page image. In the parody of Dog Day Afternoon, Sonny uses proper manners while answering the phone, even identifying himself, and the caller greets him by announcing the presence of police outside the bank and demanding his surrender.
Politically Correct History: It's often mocked, such as in the parody of The Green Mile, it's pointed out that what's really unlikely about the story of John Coffey's arrest is how, as a black man suspected of murder in the Deep South, he wasn't lynched on the spot.note Politicians Kiss Babies: Mentioned in an article from 1962 (also an early version of the Russian Reversal): "Russian politics can best be understood by comparing them with American politics.
For instance, in America, politicians have to kiss babies, and if they don't, the mothers can take their offices away from them. In Russia, the system is somewhat different. To get food, mothers have to kiss politicians and if they don't, the politicians can take their babies away from them." Popularity Polynomial: Foreseen in an article from the early 1960s predicting that when rebellious teenagers of the '50s have children of their own, the children will rebel against them by doing "square" things like refusing to put off studying, and pursuing careers in medicine.
Then, when those offspring have children of their own, this new generation will rebel against them by practicing the same behavior that their grandparents did as '50s teenagers. Power Perversion Potential: In their parody of X-Men, Professor Xavier is shown using Cerebro to watch women shower. Prom Baby: One issue has a series of fake magazine covers, including one called "Prom Mom" with articles like "Drinking the spiked punch: What the hell, it's not like anyone expects good judgment from you at this point!" Pyrrhic Victory: In the parody of Wheel of Fortune, one character wins a lot of useless prizes.
.. and ends up having to pay over $1,000 in taxes. Random Events Plot: Some TV show spoofs are like this. Others go through plot points in a given season, and still others create a new plot. Rapid-Fire Comedy: Many of the comic book issues managed to overstuff every panel with little gags. It originated with Will Elder's work in the 1950s, when Mad was still a comic book; Elder and Kurtzman called these little gags "chicken fat.
" Kurtzman was reportedly pretty bad about forcing the other artists to follow Elder's example. The stalwart artists such as Angelo Torres and Mort Drucker often engaged in this to varying degrees, as does Tom Richmond in the present day. (Gary Hallgren also went all out in the two parodies he drew, of Pokémon and Who Wants to Be a Millionaire?.) Raster Vision: Perhaps the earliest example of Raster Vision comes from "Captain TVideo," a spoof on Captain Video that appeared in a 1954 issue of MAD(still a comic book at the time).
Every single panel is covered with hand-drawn horizontal lines, which add to the spoof's running joke that the production values of Captain Video were terrible (which, by all accounts, they were). Read the Fine Print: This is one of the magazine's favored tools. For example, the cover of the March 2017 issue features Alfred E. Neuman holding a sign which reads in huge lettering "NO TRUMP IN THIS ISSUE" but above this in much smaller print is "BELIEVE US - WE REALLY, REALLY WISH THERE WAS.
.." Reality Ensues: A recurring theme for humor. Really Gets Around: At the end of the Pearl Harbor parody, every single pilot flying in to bomb Tokyo has the picture of the same girl in his cockpit, as the commander says that they're all fighting for the same thing. "The Reason You Suck" Speech: One character gets a lengthy one in The Lighter Side of, capped off with the following exchange. Woman: I think you listen, but you only hear what you want to hear! And I think that's a good summary of what you are! Man: Hardly.
.. All you did was talk about what YOU think! You didn't say ANYTHING about ME! The Reveal: Some of the parodies have one of the heroes turning out to be the main villain. A Riddle Wrapped in a Mystery Inside an Enigma: One white-paper front cover for the magazine greatly exaggerated this phrase for laughs. Right Way/Wrong Way Pair: "Melvin and Jenkins". Jenkins, a nerdy-looking chap, is polite and intelligent and always tries to do his best; Melvin, on the other hand, is a gangsta wannabe hoodlum who delights in petty mischief.
They're obviously a parody of Highlights for Children's Goofus and Gallant, with the order reversed so that Melvin's sociopathic and insane antics contrast with Jenkins' reasonable behavior. Roses are Red, Violets are Blue...: A Running Gag in the Quiz Show parody. Charles Van Doren's Freudian Excuse was his failure to do one with an "orange" rhyme. Running Gag: Over time, the magazine has adapted a large number of icons that appear at random spots, such as a skinny bird named Flip, a potted plant named Max, a zeppelin with "MAD" written on it and the poiuyt.
◊ The table of contents lists the articles in the magazine as being from various departments whose titles are various plays on words. The two constants through the run are the letters section, which is listed as being from the "Letters & Tomatoes Dept.", and "Spy Vs. Spy" from the "Joke and Dagger Dept." Whenever they do a parody of Batman, Alfred is always named Neuman, after the mascot. In the comic book era, many protagonists bore the first name Melvin.
The Frog Prince spoofs have been done several times. Don Martin in particular was very fond of these. Sadist Show: Monroe and..., where something bad always happened to the title character. The idea was mocked in the parody of Thirty Something, when one character tells another they are suffering because of the network's discovery that "there are millions of masochistic viewers who get off on misery!" Sadist Teacher: Often made fun of.
There's even an entire catalog of school supplies that are designed to break at certain points for the purpose of causing kids frustration and/or getting them in trouble. See You in Hell: Done a few times, such as in one parody of an AT&T commercial, when Gorbachev tells Reagan, "I'll see you in Hell, you Capitalist Swine!" before declaring thermonuclear war against the US after mishearing Reagan during a telephone conversation.
Self-Deprecation: The masthead's listing of the creative team as "the usual gang of idiots". The magazine has done this a lot over the years, and they sometimes take their own affected self-deprecation to the extreme: In an article on how to make a food poisoning victim throw up (in issue #256), reading Mad magazine to him is described as the very last resort, because it's so effective that he'll drown the house with puke.
Their Christmas-season magazines suggest giving a subscription to Mad as a Christmas present. The ads rip the magazine as dumb and unpleasant, but conclude it's good to give to someone because it's a cheap present. Even Bill Gaines, the magazine's owner, was constantly mocked in the magazine due to his stinginess and obesity. A man who strongly resembles him is often seen in "The Lighter Side," and in one article about how to correct yourself when you say something wrong, a bellhop tells someone who looks like him that "bums" aren't welcome, but corrects himself when the man asks him to park his Rolls-Royce.
Anthologies of Al Jaffee's work are all called "The Vastly Overrated Al Jaffee", volume ___. Occasionally the parodies lampshade the fact that MAD's love of Parody Names is taken to such ridiculous extremes that a casual reader can't tell what the original character name was supposed to be. Those who write in to the magazine are often mocked for reading something as bad as it. After Al Jaffee did a feature where magazine titles are incorporated into descriptions of what's really in there (e.
g., "if you enjoy self-PLAY,BOY will this magazine help!") a reader sent in his own art showing a typical Alfred cover and "I'MADummy for reading this magazine!" Self-Made Orphan: In the Road to Perdition parody, as John is killing Rooney, who protests that he's like a father to him, he declares that now he's become an orphan. Shoo Out the Clowns: Invoked on the Roseanne parody, when the kids are discussing their frustrations with their mother.
"D.D.T." starts mumbling, which typically is an almost guaranteed laugh, but is told that "this is no laughing matter!" Shot at Dawn: Another common theme in "Duck" Edwing's one page comic features. Shout-Out: Many, such as the frequent cameos from Peanuts characters early on. Schulz later returned the favor by giving Alfred E. Neuman a quick appearance in his strip, as the punchline at the end of a story arc in which Charlie Brown kept seeing baseballs everywhere he went.
Watching the sunrise, he doesn't see a baseball over the horizon, but Alfred's face! There will often be shout-outs to other works with the same creator or actors in parodies. For example, in The Shining parody, Wendy asks Danny if he remembers One Flew Over the Cuckoo's Nest, and when Danny says yes, she says "(Jack)'s still flying!" Single Mom Stripper: One strip showed two teenage boys looking at porn online, and one of them says, "Isn't that your mom?" The other boy thinks his friend is joking, until he realizes it is his mom.
He runs home and asks her how could she do such a thing; she smirks and says "I made enough money in ten minutes to afford one of those Sega Dreamcasts you've been bitching about." The boy's attitude changes quickly and he offers to do chores around the house to let her focus on work. Sinister Minister: Parodied in their article "When Priests Go Bad", which was followed by "When Nuns Go Bad" and "When Clowns Go Bad.
" Skewed Priorities: This is quite common as a source of humor. For example, in one "Lighter Side Of..." strip, a teacher scolds a student for praying in class, when she's clearly doing so because a nut is shooting up the school. Sliding Scale of Idealism vs. Cynicism: Very much on the cynical side, since it ruthlessly makes fun of people's failings, whether individuals, groups or humanity as a whole, and doesn't have much faith in human nature.
Soap Opera Disease: Parodied in the parody of Love Story, in which the main character's wife gets more beautiful as her condition worsens. Something Completely Different: One issue had the Fold-In on the front cover, instead of its usual spot on the inside back cover. Their year-end "20 Dumbest" lists usually move the Fold-In to that feature as well. Spin-Off: Mad Kids, a magazine with similar content for younger audiences.
Spoonerism: "Mad Switcheroos" were a couple of articles by Al Jaffee that had some nutty examples as jokes, and to make them funnier, left the punch line blank for the reader to figure out. (The illustration helped.) For example: Set-up line: What's the difference between a spanking and a tourist in Mexico? Punch line: A spanking Rattles the Buns. A tourist in Mexico Battles the Runs Stating the Simple Solution: Quite frequently, when the characters of a movie they parody do something illogical, and the most common response is "It makes too much sense!" For example, in the Double Jeopardy parody, it's suggested that the main character could bring to light that her husband is still alive, clearing her name and getting custody of her son.
Stay in the Kitchen: Nivlem forces the Woman Wonder to do this, as he turns out to be her boyfriend and is jealous of her superior skills. Stealing the Credit: In the parody of Contact, as Ellie's research bears fruit, Drumlin tells her that it will look good for him. Ellie takes umbrage at his doing this, but Drumlin reminds her that he gave her the "credit" when her department went over budget. Stealing from the Hotel: In a "Lighter Side of" feature by Dave Berg, a husband and wife are traveling abroad, when the wife is suddenly alarmed that one of their suitcases was stolen.
She rants about how those foreigners are all crooks. When her husband asks what was in that particular bag, she replies "The ash trays and the towels and the silverware" that they took from the hotel. Occurs at the end of their Beverly Hills Cop spoof. While in the original Axel Foley mentions he stole three bathrobes before checking out from the hotel, here he's stripped the room bare of everything, up to and including the bathroom plumbing.
Stealth Pun: While most parody names are typically something that sounds similar to their original name (In The Lord of the Rings, Aragorn/Peppercorn is also called "Strider/Spider"), whenever Alfred from Batman appears, he's typically called "Neuman", as a reference to Alfred Neuman. Stupid Crooks: The two protagonists of Spy vs Spy. When they debuted, the introduction claimed that they "taught James Bond everything he knows.
.. about what not to do!" And it shows. Generally, strips end with their plans killing their rival because of their opponent's incompetence, or backfiring and killing them because of their own incompetence. Taken Up to 11 in the Dog Day Afternoon parody; one of the robbers gives the other flowers instead of a gun (originally intended to be concealed in a box of flowers), which he put in a vase of water on the kitchen table.
Suicide as Comedy: Frequently done, especially with completely outlandish suicide methods (such as a Duck Edwing article where people off themselves in strange ways, such as gorging on popcorn and wrapping themselves in a heated blanket to make the popcorn burst them open, or eating so much food in an elevator that they make it exceed the weight limit). A subscription ad on the letters page carried the headline "WHY KILL YOURSELF? .
.. Just because you missed the last issue of Mad?" The drawing would be of a man or woman about to commit suicide in an outlandish way. Super Zeroes: In addition to parodies of popular comic books and movies, some artists have created their own, like Don Martin's paperback The Mad Adventures of Captain Klutz and Duck Edwing's The Mad Book of Almost Super Heroes. Surprise Incest In a list of cliche movie props, one Arab beggar reunites his necklace with that of the Caliph's daughter, whom he loves and learns that they are brother and sister.
In the parody of Maverick, the final line. "There's still one final plot twist- you can't marry your own sister!" Symbol Swearing: Shows up from time to time (most notably in the Deadwood spoof), because the magazine usually steers clear of certain profanities. However, since the writers (most often Arnie Kogen) leave in at least one letter in each swear, it's often blatantly obvious what words the grawlixes represent.
Lampshaded in the parody of E.T.s "penis-breath" scene. Elliot's Mum: "That's it! I will NOT have any asterisks, ampersands, or percentage signs spoken in MY house!" In "Who In Heck is Virginia Woolfe" Dick $*&#+=*! Liz: %$? Dick: Huh? %$?"...? What kind of profanity is that, Liz? Liz: That's no profanity, Dick! I just wanted to know what percentage of the gross we're getting for this picture! Sympathetic Murderer: In one Ventriloquist Priest comic, a receptionist falls in love with a mail clerk, who gets her pregnant but leaves her for the boss' ugly daughter in order to gain a promotion.
She then poisons his coffee in retaliation. Tailor-Made Prison: "Plastic Sam" is put in a freezer, essentially reducing him to a cube of plastic that can't do anything. Take That!: HUNDREDS. If we listed them all, we'd be here all day, since the magazine has been running for decades, and believes nothing is sacred. Take That, Audience!: They often imply that anyone who actually reads their magazine has to be a moron (this goes hand-in-hand with their constant Self-Deprecation).
They also insult anyone who writes them a letter when it appears in their "Letters and Tomatoes Department". Take That, Critics!: Not necessarily their critics, but in the 80s, Mad ran a piece in which film critics made several promises concerning their trade, such as dismissing all Chuck Norris films as mindless violence, and deriding them as boring if they even try to have a plot. Talking Down the Suicidal: Sometimes parodied.
For example, in one strip, a Catholic priest named Father O'Malley tries to do this with a suicidal man on a ledge, but then the man whispers something to him, at which point the priest makes a phone call and leaves. Evidently, the man said something to the effect of "I'm Jewish," because in the last panel, Rabbi Nussbaum comes in and repeats the priest's plea to the man. Teeth Flying: A Running Gag in "Spy Vs.
Spy". Whenever one spy is caught in an explosion, a set of teeth come flying out of the blast. Mark Antony's teeth fly out of his mouth in the following exchange from the Julius Caesar parody: Calphurnia: ...Very well, Tony! I will pay thine fee!... Now will you take my case?Mark Antony: ...I will answereth you simply... Effectively...and my answer is...my answer is... DOMM DA DOM DOMM! Think Nothing of It: A response given at a few points, such as in one The Lighter Side strip and in the Batman Returns parody.
It's then followed by the person thanking the benefactor revealing that he or she is not actually grateful. Below is a paraphrased exchange from one Lighter Side strip. Birthday Girl: I must thank you for this gift! Gift Giver: It was nothing! Birthday Girl: (scowling) I know! But my mom said I should thank you anyway! The Ending Changes Everything: In the parody of "Batboy," Batboy himself turns out to be the killer, as a "vampire Batboy.
" In the parody of "All The President's Men," which was made before the identity of Deep Throat was widely known, Woodward and Burnstein ponder who would be willing to risk so much to come forward with information that would be damaging to the Republican Party... but are not at all surprised when it turns out to be Gerald Ford. There Should Be a Law: The premise behind "New Laws Congress Should Pass Right Now", and its sequel article.
Title Drop: While most parody names are funny-sounding names that sound like the title of the original work, "Bleak For The Future" references the title when Marty, having succeeded at getting his parents together and time-traveling back to the present, sees his future parents buying birth control, and declares that things look "bleak for the future." Translation: "Yes": In the parody of E.T., the aliens often have two or three words to represent sentences that are several times longer.
Tomato in the Mirror: In "A Booty-Filled Mind", Nash's wife turns out to be a hallucination. Top Ten List: A staple of the Fundalini pages. There's also the annual list of the 20 stupidest events of the year, which makes fun of all the events for which it's in good taste (for example, the September 11, 2001 terrorist attacks don't qualify, but Jerry Falwell's controversial statements after them do).
20 Minutes into the Future: In a 60s parody of TV Guide Commercials are listed in the listings. Many online guides now list infomercials by the program's name instead of the standard Paid Programming. Twist Ending: Especially in the EC Comics era. Most movie parodies end with an altered version of the film's ending, sometimes revealing something about the plot that had been concealed all along. In "A Booty-Filled Mind", it's revealed that "Mash's" wife is also a hallucination.
"Drek-ula" mocks the 1992 adaptation's huge Romantic Plot Tumor when the title character is transformed by The Power of Love into the Beast from Beauty and the Beast. To make matters worse, Disney's lawyers arrive to sue Francis Ford Coppola and company for ripping off their movie, only for Drek-ula to counter that since it was a better movie, there's no comparison. "Q.T. -- The Quasi-Terrestrial" ends with Q.
T. going up the ramp of the spaceship...and Richard Dreyfuss coming down, thankful that they finally made a sequel to Gross Encounters of the Turd Kind allowing him to get away from all those crazy aliens. Underdogs Always Win: Subverted with the parody of Rocky Nicky: This movie shows what can happen to an underdog who keeps his faith and fights valiantly against tremendous odds! Man: You mean he wins in the end? Nicky: No, he gets his brains beaten out! Underestimating Badassery: A firing squad in one comic strip suggests there's no way a man could have killed as many people as he did on the basis that he's skinny.
He then proceeds to kill them all with his hands cuffed, and then later gets recaptured, with the new firing squad saying the same thing that the old one did. Unexpected Character: Happens sometimes in parodies, usually involving a character from another work. For example, the parody of Batman: The Animated Series, reveals that the culprit who's been erasing heroes and villains is Adam West as Batman, who wants his old show back.
Unlimited Wardrobe: Parodied on the "Mary Tyler Moore" show parody. Unsettling Gender Reveal: At the end of the American Graffiti parody, Squirt seemingly recognizes the "chick in the white T-Bird," only to find out that it's Ringo Starr from The Beatles. Verbal Backspace: In the "Dave" parody, Dave initially refuses to be a body double for the president, but when he's told that he'll get $200, he says "My fellow Americans.
..!" Viewers Are Morons: In the Pearl Harbor parody, this trope is suggested to be the reason why the film included a bombing mission on Tokyo; the way history is taught, viewers might have left theaters with the impression that the Japanese won the war after bombing Pearl Harbor. Voodoo Doll: Frequently used in gags, usually stuck with pins, and generally used as a sign of concealed hatred for the person represented by the doll.
Walk and Talk: Parodied in the parody of The West Wing. Weaksauce Weakness: In the parody of "Signs," the aliens' weakness to water, and the blatantly obvious Chekhov's Gun that sets it up, are ruthlessly parodied. The same goes for "Unbreakable," when the main character's son is warned not to shoot him with a water pistol, but instead with his service revolver, since the former is more dangerous.
Wham Shot: Gags commonly end with shots revealing more about those involved. For example, in one "The Lighter Side Of", a man talks with his friend about how he and his wife had "chemistry" when they met and "biology" when they married, but "Now it's all history!"- and the last panel shows that they're walking out of a courthouse, presumably after his divorce. In the Malcolm in the Middle parody, the last few panels of Malcolm's final monologue zoom out a window to show him in the back of a truck, being taken to an insane asylum.
What You Are in the Dark: Defied on a few jokes regarding the church panhandle. In one "A Mad Look At" strip, a priest records the collection, prompting people to give generously out of fear of being seen. In a Ventriloquist Priest strip, the priest forces the statues to talk about how people who don't give generously are going to hell. William Telling: Inverted on an early cover, which depicts Alfred with an arrow strapped to his head, and an apple being thrown at him.
World's Shortest Book: They occasionally had a shelf of these, usually political- or current events-themed. A few examples: "Etiquette" by Lyndon B. Johnson "Truths I Have Told" by Richard Nixon Would Hit a Girl: Interestingly enough, while the "politically correct" version of James Bond is vastly more respectful toward women than the real thing, he punches out a Countess upon realizing that she wears fur, diamonds and other things that he believes were made through unconscionable means.
Writers Cannot Do Math: The Ghostbusters (1984) parody, "Ghost-Dusters," (MAD #253) featured the characters explaining the $10,000 charge for capturing the parody's equivalent of Slimer. The individual prices actually totaled $11,000. A reader wrote in and the magazine had to admit its error. Writing Lines: One of the covers of #481, which spoofed The Simpsons Movie, parodied Bart Simpson's writing of lines with Alfred E.
Neuman as Bart writing "I WILL NOT USE THE SIMPSONS MOVIE TO SELL MAD". Written Sound Effect: Don Martin was very fond of atypical ones, such as "Dingalinga" for a bell ringing, "Ferrap" for shuffling cards, etc. Sometimes he would use Unsound Effects: "Don't Walk," "Applaud," etc. He even had a vanity plate reading "SHTOINK." There's also a dictionary of them. "I'll take the Don Martin sounding guy" Wrongful Accusation Insurance: In the Double Jeopardy parody, this is defied, when the mother gets arrested for all the laws she broke in the process of tracking down her husband.
Yet Another Christmas Carol One had Archie Bunker facing the ghosts of Ratings Past, Laughs Past, Bigotry Past and Ratings Future, who confronted him over the fact that if his show is no longer bigoted, it's no longer funny, either. Ronald Reagan was shown as Scrooge in one parody. After saying "Humbug!" to unemployment going up, health care going down, and farms being foreclosed, he gets a visit and an expression of approval from The Ghost of Depression Past, also known as Herbert Hoover.
Yiddish as a Second Language: Most prominently "fershlugginer," but plenty of Yiddish appeared in the mag's early years. From the Popeye parody: "Right in the kishkas!" Also an example of Getting Crap Past the Radar. Likely because a good chunk of the staff were Jewish, and many of them are still around. You Are a Credit to Your Race Inverted in Monroe, when the eponymous character's lack of a strong physique causes some white supremacists in prison to question their race's superiority.
Your Costume Needs Work: Averted in one "A Mad Look at Batman" strip," Batman chases a criminal into a costume party and walks out with first prize. 0% Approval Rating: Several people are mentioned as being close to this level. In the "Choose Your Own Adventure" book for the 2000 presidential election, one of the paths leading to the bad ending has your own mother refuse to vote for you, and you being so far behind in the race that the networks declare your opponent the winner eight hours before the polling ends.
Title: Mad Face Clip Art