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EXHIBITIONS OPENING JANUARY 27, 2018 WINTER/SPRING 2018 EXHIBITIONS January 27 to June 10, 2018 (unless noted otherwise) The work of Bay Area artist David Tomb reflects his lifelong interest in birds and also his significant commitment to the conservation of species and habitats. The images he creates are huge in scale. They are collage and mixed-media works on paper installations. Tomb says of his work, "Making artwork of birds is a way to connect and personalize my experience of seeing birds.
The ultimate goal is to have people think: That animal is incredible... we need to save them!" Curator: Michele Ellis Pracy, FAM Executive Director & Chief Curator Exhibition support: Daniel R. Martin Family Foundation Images: David Tomb, Aplomado Falcon Bat Hunting detail, Watercolor and gouache on paper, 29.5" x 83" and Great Philippine Eagle, 2012, Mixed media and collage, 128" x 210" This exhibition features Fresno-based artist Marcos Dorado and will include 20 to 25 recent portraits of immigrants with short biographies for each.
The artist's objective: "My goal is to convey their struggle, which is my own. I want to put the spotlight on the positive contributions of immigrants that are here." Marcos studied drawing at The Art Students League of New York and The Grand Central Academy of Art, both in New York City. Now, Marcos is part of the movement that is bringing the figure back into the forefront of art. The realism and superb craftsmanship in his drawing express the beauty of the people around him.
His work explores social issues that matter to him. Curator: Michele Ellis Pracy, FAM Executive Director & Chief Curator Images: Marcos Dorado, Extranjero (Portrait of Fabio Pertile), 2017, Charcoal, pastel, and ink on canvas, 36" x 24" and Angélica Diaz Livesay, 2017, Conté and graphite on paper, 24" x 24" In recognition of the legacy of local photographer Hanna S. Barsam, the Fresno Art Museum is proud to host a biennial photography exhibition with the generous support of the Hanna S.
Barsam Estate Funds of the Central Valley Community Foundation. Guest curated by Jay Belloli, former director of the gallery programs at the Armory Center for the Arts in Pasadena, the theme of the 2018 Hanna S. Barsam Photography Invitational is California Nature. Each photographer selected by Mr. Belloli explores the natural California environment as captured through a lens. Just as Mr. Barsam was known for his innovative and often avant-garde approach to photography, this invitational showcases photographers that push the envelope with regards to technique and subject matter.
Statement by Guest Curator, Jay Belloli: Since California photographer Carlton Watkins began photographing Yosemite in the 1860s, the natural environment of California has been an important theme for photographers living in our state. The California Nature exhibition presents the work of ten living California photographers who have been exploring the natural areas of the Golden State during this new century.
The photographers represented in the exhibition are Mitch Dobrowner, Rose-Lynn Fisher, Thom Halls, Robert Glenn Ketchum, Sant Khalsa, David Maisel, the Optics Division of the Metabolic Studio, Brendan Pattengale, Ian Ruhter, and Robert Weingarten. Using both black and white and color photography they have captured very different elements of the beautiful nature of California—mountains, deserts, lakes, rivers, agricultural lands and the Pacific Shoreline.
Two of the photographers, Fisher and Maisel, have examined California beauty from above. Many of the photographers used digital cameras and printing techniques; several—especially Ketchum and Pattengale—utilized computer imaging to create their color images. Only one photographer used a traditional camera and film. Ruhter used the 19th-century collodion wet plate process to create full-size images.
The Metabolic Studio created its own photographic medium with natural materials found on site. The California Nature photography exhibition celebrates the natural beauty of California, and the creativity of the photographers of our state as they explore the Golden State’s unique and awe-inspiring landscapes. Exhibition sponsor: Hanna S. Barsam Estate Funds of the Central Valley Community Foundation Images: Robert Weingarten, 6:30, #104, October 26, 2003 and Thom Halls, Kings River Series: Reedley—Still waters near the Reedley Narrows make for wonderful recreation areas, 2010, Archival digital print, 20" x 24" Bay Area artist, Holly Lane, is a painter and sculptor who creates works that the New York Times has labeled “inspirational parables.
” The exhibition showcases 16 of the artist’s unique works. Lane is most well-known for her elaborately framed paintings, inspired by architecture and often tied to Greek mythology and philosophy. Rather than mere housings for her paintings, Lane’s frames are elaborate, hand-carved pieces of art themselves that provide allegorical context for the two-dimensional paintings they surround. Also included are some of her purely sculptural works, gilded creations that range in size from monumental to pocket-sized.
The sculptures, with their intricate relationship between form and shape, are physical manifestations of philosophical musings. Lane’s work explores themes of nature, mysticism, interspecies compassion, and feminism. The exhibition’s title, Indwelling Nature, speaks to the idea that humanity and nature inhabit the same space, each providing the framework for how the other is perceived. Curator: Sarah Vargas, FAM Associate Curator Images: Holly Lane, Four Consolations, 2015, Acrylic paint, carved wood, and paper quilling, 27¼" x 22½" x 6", and Unfoldment, 2015, Acrylic on panel, graphite on Mylar, carved wood, 28" x 33 1/8" x 6", both Courtesy of the Artist and Winfield Gallery, Carmel, CA MAY 20, 2017 through JUNE 10, 2018 Tell Me a Story is an exhibition organized to directly relate to the storybooks read by third graders throughout the Fresno Unified School District.
It includes the original artwork of six illustrators selected for their unique and appealing visual interpretations of stories based on legends, folk tales, and social issues. The artists included are Michael Allen Austin (Martina the Beautiful Cockroach: A Cuban Folktale), Pascal Biet (Wolf!), Colin Bootman (Finding Lincoln), Perky Edgerton (Bravo Tavo!), G. Brian Karas (Clever Jack Takes the Cake), and Boris Kulikov (The Castle on Hester Street).
Combined, the represented stories illustrate many character-building qualities: courage, determination, perseverance, resourcefulness, truth, the value of friendship, supporting tolerance and literacy, and overcoming impossible odds or misfortune with positivity. Organized to coordinate with the Kennedy Center's Any Given Child Education Program Curator: Susan Yost Filgate, FAM Education Director Underwritten annually in part by the Bonner Family Foundation Image: Boris Kulikov, The Button Man, from The Castle on Hester Street written by Linda Heller, 18" x 10½", mixed media on paper, and Michael Allen Austin, Martina and Perez, from the book, Martina the Beautiful Cockroach: A Cuban Folktale, retold by Carmen Agra Deedy, 24" x 30", acrylic, colored pencil, and pastel on illustration board Learn more about the artists and get a peek at the exhibition by clicking here.
What is in a name? One of the first things that museum visitors do is look for the title of an artwork they like in order to provide context. What happens when the artist deliberately chooses not to give their art a title? UNTITLED presents a selection of works from the permanent collection that ask the viewer to create their own story. From the figural to the abstract, each untitled work is open to interpretation.
What does the image mean? That is for you to decide. Curator: Sarah Vargas, FAM Associate Curator Images: Robert Natkin, Untitled, 1974, Lithograph, 36" x 26", Collection of the Fresno Art Museum, Gift of Adam Mekler, FAM85.3.2 and Johnny Friedlaender, Untitled, n.d., Lithograph, 10" x 8", Collection of the Fresno Art Museum, Gift of Dr. and Mrs. Robert Lippert, FAM92.20 Winter/Spring 2018 Season Exhibition Sponsors: Anonymous, CCIS Insurance Services, Eaton and Gibson Family Fund of the Central Valley Community Foundation, Elaine Lynn, and Women's Auxiliary of the Fresno Art Museum General Exhibition Support: David & MaryAnne Esajian Media Partner:
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WINTER 2018 EXHIBITIONS See exhibitions Opening 12.27.18 Summer/Fall 2018 July 13, 2018 to January 6, 2019 (unless noted otherwise, below) Council of 100 Distinguished Woman Artist 2018: Kay Sekimachi Kay Sekimachi (b. 1926) is a fiber artist and weaver based in Berkeley, California. She is the recipient of the Fresno Art Museum’s 2018 Distinguished Woman Artist Award. Her Retrospective, solo exhibition describes her years of art making beginning in the 1940’s and bringing it current today.
Curated by Fresno Art Museum Staff, Michele Ellis Pracy and Kristina Hornback in 2017, the selected works define the breadth of Sekimachi’s oeuvre and the command she has of her fiber medium Known as a “weaver’s weaver,” Sekimachi uses the loom to construct three-dimensional sculptural pieces. She attended the California College of Arts, where she studied with Trude Guermonprez, and at Haystack Mountain School of Crafts, where she studied with Jack Lenor Larsen.
Her work can found in the collections of the Metropolitan Museum of Art, the Renwick Gallery, the Museum of Arts and Design, and the Museum of Fine Arts, Boston. She is recognized as a pioneer in the resurrection of fiber and weaving as a legitimate means of artistic expression. Exhibition Curator: Michele Ellis Pracy, FAM Executive Director & Chief Curator Jenne Giles: Americana Jenne Giles is a contemporary fiber artist whose work ranges from traditional fine arts to innovative performance and installation art.
Her pieces explore the concept of gender, identity, consumption, and mortality. Giles received her B.A. in art and art history from Rice University in 1997. She began her career in the San Francisco area and now lives and works near Joshua Tree, California. She has previously exhibited at such institutions as the De Young Museum in San Francisco and the Bellevue Art Museum in Bellevue, Washington.
She was a featured artist in Head to Toe: Wearable Art at the Fresno Art Museum that ran September 23, 2016-April 28, 2017. Originally a trained metalworker, Giles creates sculptures, paintings, and wearable art from handmade felt. Felting is one of the oldest forms of textile making. She finds great importance in the organic process of hand-making her materials. Giles’ felt sculptures are dense, finely detailed creations.
The exhibition Jenne Giles: Americana consists of nearly 30 felt sculptures and paintings that examine the types of artifacts that are related to the history, geography, folklore, and culture of the United States. Felt-making, along with other forms of fiber art, has traditionally been associated with women and regarded as a craft, not a form of fine art. In the 1970s the Feminist Art movement reclaimed fiber arts, elevating them to the status of fine art and fiber arts became an integral aspect of contemporary artistic practice.
The propagation of fiber art as a fine art emphasizes the resurgence of value on handmade objects and on the relationship between traditional art forms and the current era. Exhibition Curator: Sarah Vargas, FAM Associate Curator Image: Bomb Pop, 2017, Wool, silk, mixed media, 23" x 17.5" x 14", Courtesy of the Artist Ernest Lowe: Black Migrants to the Central Valley, 1960-1964 During the 1940s and 1950s, some 40,000 African American sharecroppers migrated to California’s Central Valley, taking up residence in farm labor camps.
Their rural to rural journey makes them the great exception to the Great Migration, which was overwhelmingly rural to urban. Shortly after arriving, these black migrants were all but put out of work by the mechanization of agriculture. In the early 1960s, while reporting on migrant labor for KPFA radio, a young photographer Ernest Lowe captured powerful, black and white images of life in the communities of Pixley and Dos Los Palos adjacent to Fresno, California.
These townships were impoverished yet cohesive communities, lacking paved roads, electricity, running water and other essential services. Lowe’s photographs are the sole extant document of this rural people’s journey to a land of broken promises. His startlingly beautiful images of community, individuals, tasks, free time, housing, and church provide the viewer a local historical perspective on the migrant hardships they managed and survived.
This is an original exhibition of teh Fressno Art Museum drawn from the historic negatives of Ernest Lowe and printed for the exhibition by photographer Joel Pickford. The selected photographs transport audiences back in time nearly sixty years to experience life in rural African American communities of the Central Valley. Curator, Michele Ellis Pracy, FAM Executive Director & Chief Curator Guy Diehl: Stillife TraditionJuly 14 through October 14, 2018 The Fresno Art Museum is pleased to present San Francisco Bay Area still life painter, Guy Diehl, with a solo exhibition in the Moradian Gallery during the summer of 2018.
A selection of Diehl’s works, including paintings, etching, and drawings, will be on view. Guy Diehl began his hyper-realist still life concentration in 1992. His concept of art-about-art became his subject matter, placing a variety of objects together making the viewer think about art history, ancient or new. Works will be borrowed from the artist, his gallery Dolby Chadwick, Magnolia Editions, and private collectors.
Exhibition Curator: Michele Ellis Pracy, FAM Executive Director & Chief Curator Image: Guy Diehl, Still Life with Robert Delaunay #3, 2017, Acrylic on canvas, 30" x 36" Winter/Spring 2021 January to June 2021 Maurice Sendak: Fifty Years, Fifty Works, Fifty Reasons Image from Where the Wild Things Are by Maurice Sendak© Maurice Sendak: All Rights Reserved. The exhibition is a retrospective of original works by Maurice Sendak, including sketches, illustrations, and works on paper.
It showcases highlights from his career and the diverse art forms for which he was renowned, from children's literature to Broadway, opera, animated films, and young adult textbooks. It includes interactive elements especially appealing to children. Special thanks to the lender of the exhibition and to AFANYC for their support. Exhibition at the Fresno Art Museum made possible by the generous support of the Bonner Family Foundation.
Title: Insurance For Art Exhibitions