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So, I’ve been thinking a lot about movies lately. Specifically about their impact on our lives. I’ve had a few talks in the past with different people about their views on movies, and the views are quite contrasting. I am talking not only about the violence in films, or pornography, or offence, but about it’s effects on our own minds, and our society as a whole. Obviously this is such an extensive topic, and I can not board it completely throughout this blog post, nonetheless, I will try to address some of the issues that I have been thinking about lately.
According to Wikipedia, a Film is considered to be the following: “Film encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects. Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them.
Film is considered to be an important artform, a source of popular entertainment and a powerful method for educating — or indoctrinating — citizens.“ Now, we can logically infer that when speaking about movies we are talking about all it’s genres and sub-genres, all it’s different forms including B&W film, speechless, etc. I can logically deduce that humans create films to express feelings they have, feelings we all have.
But have we gone too far? I’m not going as far as to call Film stupid, or not an art, but I think we have to make a clear distinction to what is fake and what is real, and to what is tolerable or bearable and what is simply going over the limit. By typing Violence in Films in Google I get 224,000,000 results. It is obviously a matter of great concern for the public. “By the time the average U.
S. child starts elementary school he or she will have seen 8,000 murders and 100,00 acts of violence on TV.” – New Scientist, 2007 So how exactly does violence, rape, murder, sex, and verbal offence contribute to violence and indecent acts in our society? This website cites quite a few facts that have studied concerning this topic. It says: Researchers followed 329 subjects over 15 years. They found that those who as children were exposed to violent TV shows were much more likely to later be convicted of crime.
Researchers said that, “Media violence can affect any child from any family,” regardless of social class or parenting. So we can clearly see it has an effect on our lives. What intrigues me the most is why can’t we, as rational human beings, make a distinction between what clearly is supposed to be an art form, and reality. Why do we let a motion picture inflict damage on the progress of our own lives? “Because ours is a puritanically-based society and we have problems with depictions of sex, we tend to eroticize violence.
For many people this creates an unfortunate, often even unconscious, link between sex and violence.” – from “Sex Research, Censorship, and the Law” I come to think of this as true up to the extent that all our actions are based on what we learn and what we know, and we as human beings learn by seeing and imitating. Following this trend of thought we can infer that as we see from movies, we tend to act accordingly, by the means of learning and practicing.
Therefore I come to the conclusion that we, as a society, are not ready to create our own art forms, and expression, and really understand and act independently to so. In painting, we often let our minds wander off based on the expression, colours and objects depicted in the artist’s creation. May people have commited murder based on this? Indeed it is possible, just as it was also possible to commit murder after reading “The Catcher in the Rye”, so why not? We, as a society, must first learn to control our bodies, our minds, and our actions before putting ourselves to the test and searching for a medium for expression, and searching for alternate art forms.
After all, there is a lot to be learned about murder. Watching crime films, and different genres of films gives a lot of insight as to how the world works, what we are made of, why we do the things we do. Nonetheless, we must learn to control ourselves before being exposed to such material, as the untrained mind will not only obtain knowledge from the good parts of movies, but also will learn from the bad parts, the inmoral parts, the violent parts, etc.
I think we still have a long way, to really learn to think. * Edit 23/Oct/2012: Changed “The Catcher and the Rye” to “The Catcher in the Rye”, thanks Sophia for noticing this.
Diverse Key Artwork Ideas have progressed comprehensive distinctive eras, along with the altering artists' perceptions of processing, analyzing, and responding to various artwork sorts. Their resourceful expressions happen to be explored by their generation, general performance, and participation in arts. Each and every historic period has provided novel contribution of historic and cultural contexts for producing the important thing Arts Fundamentals on the related time period. Visible Arts help artists assimilate the real key Arts Principles of Symmetry, Shade, Sample, Contrast plus the variances involving one or more elements inside the composition. The real key Art Concepts of Visual Arts help comprehend and distinguish among the size such as, Symmetry & Asymmetry, Positive & Negative Space, Light & Dark, Solid & Transparent, and Large & Small.See Also: San Diego Performing Arts
Art plays a vibrant role in the personal life on the individual as well as from the social and economic development on the nation. The study of Visible arts encourages personal development plus the awareness of both our cultural heritage along with the role of artwork in the society. The learner acquires personal knowledge, skills and competencies through activities in Visual arts. When one studies Visible arts, he/she would come to appreciate or comprehend that artwork is an integral part of everyday life.
The original Lomo LC-A Lomography is a commercial trademark of Lomographische AG, which their creators associate to a photographic image style and an analog camera movement and community facilitated by The Lomographic Society International. The Lomographic Society International was founded in 1992 by a group of Viennese students after they discovered the LCA, a camera created by LOMO PLC of Saint Petersburg, Russia.
Lomography started as an art movement through which the students put on exhibitions of photos within Vienna; the art movement then developed into a commercial enterprise. Since 1995, Lomography has been the sole distributor of the LC-A camera outside the former Soviet Union, and has moved into producing their own range of analog cameras, films and accessories. History The lomography name is inspired by the former state-run optics manufacturer LOMO PLC of Saint Petersburg, Russia that created and produced the 35 mm LOMO LC-A Compact Automat camera, now central to lomography.
This camera was loosely based upon the Cosina CX-1 and introduced in the early 1980s. Lomography also represents the commercial trademark of Lomographische AG, an Austrian company that produces cameras and accessories. The society is headquartered in Vienna, Austria. Sample shot from a LOMO LC-A In 1991, a group of Viennese students discovered the LOMO LC-A and were inspired by its "unique, colorful, and sometimes blurry" images.
 The Lomographic Society International was subsequently founded in 1992. After a series of art exhibitions culminating in shows in New York City and Moscow, Lomography signed an exclusive distribution agreement with LOMO PLC in 1995 — becoming the sole distributor of all LOMO LC-A cameras outside of the former Soviet Union. The new company reached an agreement with the deputy mayor of St Petersburg, the future Russian Prime Minister and President, Vladimir Putin, to receive a tax break in order to keep the LOMO factory in the city open.
 Since the introduction of the original LOMO LC-A, Lomography has produced a line of their own analog cameras. In 2005, production of the original LOMO LC-A was discontinued. Its replacement, the LOMO LC-A+, was introduced in 2006. The new camera, made in China rather than Russia, featured the original Russian lens manufactured by LOMO PLC. This changed as of mid-2007 with the lens now made in China as well.
In 2012 the LC-A+ camera was re-released as a special edition. Lomography has also released products catered to digital devices, such as the Smartphone Film Scanner; and the Achromat lens collection for SLR cameras with Canon EF, Nikon F or Pentax K mounts, inspired by 19th century Daguerreotype photography. Models A Diana Mini The Fisheye 2 model Cameras that have been marketed by Lomographische AG: LOMO LC-A+ Diana F+ Spinner 360° Sprocket Rocket Actionsampler Pop-9 Oktomat Fisheye Fisheye 2 Colorsplash Colorsplash Flash SuperSampler La Sardina LomoKino - a 35 mm analog movie camera Diana Baby - 110 film Fisheye Baby - 110 film Konstruktor - a build-it-yourself 35 mm SLR camera Fritz the Blitz In 2013, together with Zenit, Lomography produced a new version of the Petzval Lens designed to work with Canon EF and Nikon F mount SLR cameras.
Film The company produces several kinds of 35 mm, 120 and 110 film. Publication Holga: the World Through a Plastic Lens. Vienna: Lomographic Society International, 2006. By Adam Scott and Lomographic Society International. ISBN 3-902217-07-3. Paperback edition. Lomographic aesthetic Similar to Eastman Kodak's concept of the "Kodak moment", the philosophy behind Lomography is summarized in its motto, "Don’t Think, Just Shoot.
" This motto is accompanied by The Ten Golden Rules which are supposed to encourage spontaneity and the taking of photographs anywhere, while minimizing considerations of formal technique. Typical Lomography cameras are deliberately low-fidelity and of simple construction. Some cameras make use of multiple lenses and rainbow-colored flashes; some exhibit extreme optical distortions and light leaks.
 The intention of the lomographic style is one of acceptance of such deficiencies in order to create images with a unique character. Typical of lomography are images with high contrast and with unusual saturation and color that were created using the technique called cross processing in which film intended for developing in slide chemistry (E-6) is processed in photographic negative chemistry (C-41), and vice versa.
This technique can be employed with any film camera and can be somewhat mimicked with photo-editing software such as GIMP or Photoshop. Community Lomography Shop in Wan Po Yan St., Hong Kong The Lomographic Society International runs Lomography Gallery Stores and so-called "embassies" dedicated to the growth, support and public exposure of analogue photography. Customers interact through social events such as exhibits and workshops.
An example of the society's events showing peoples' lomography talents is the Lomokikuyu competition, which raises money for charity. The organisation organises the Lomography World Congress, an international conference. The Lomographic Society International maintains a community website featuring lomographic photographs. Photo gallery A Fisheye 2 with a fisheye viewfinder A 1988 LOMO LC-A camera Fisheye-lens photo of Wakayama Castle The view of buildings in Downtown Los Angeles through the Fisheye 2 camera.
References ^ "History · Lomography". Lomographische AG. ^ "LOMO LC-A's Father: The Cosina CX-2". Lomographische AG. 2 August 2011. Retrieved 26 May 2012. ^ Drake, James (12 June 2000). "A Camera That Really Opens Your Eyes". Bloomberg Businessweek. Retrieved 26 May 2012. ^ a b c d Blenford, Adam (22 September 2007). "Lomos: New take on an old classic". BBC News. Retrieved 26 May 2012. ^ "A guide to Lomography".
ePhotozine. 2 August 2002. Retrieved 26 May 2012. ^ "Timeline". Lomographische AG. Retrieved 30 May 2012. ^ "Lomography LC-A+ 20th Anniversary Edition". Hypebeast. Retrieved 2017-03-22. ^ "The Lomography Smartphone Film Scanner". Hypebeast. Retrieved 2017-03-22. ^ "Lomography Bridges Technology With the Past by Recreating the First Photographic Optic Lens". HYPEBEAST. Retrieved 2017-03-22. ^ "The Ten Golden Rules".
Lomographische AG. Retrieved 26 May 2012. ^ "Niche Photography". Apple Daily (in Chinese). 28 April 2009. Retrieved 26 May 2012. ^ "Lomokikyu". Lomographische AG. Retrieved 26 May 2012. ^ Plummer, Libby (3 March 2011). "Lomography – the return of analogue". Pocket-Lint. Retrieved 26 May 2012. External links Wikimedia Commons has media related to Lomography. Official website Did the Lomo camera save film photography? at BBC News, 2012 v t e Photography Outline Terminology 35 mm equivalent focal length Angle of view Aperture Black and white Chromatic aberration Circle of confusion Color balance Color temperature Depth of field Depth of focus Exposure Exposure compensation Exposure value Zebra patterning F-number Film format Large Medium Film speed Focal length Guide number Hyperfocal distance Metering mode Orb (optics) Perspective distortion Photograph Photographic printing Photographic processes Reciprocity Red-eye effect Science of photography Shutter speed Sync Zone System Genres Abstract Aerial Architectural Astrophotography Banquet Conceptual Conservation Cloudscape Documentary Ethnographic Erotic Fashion Fine-art Fire Forensic Glamour High-speed Landscape Lomography Nature Neues Sehen Nude Photojournalism Pornography Portrait Post-mortem Selfie Social documentary Sports Still life Stock Street Vernacular Underwater Wedding Wildlife Techniques Afocal Bokeh Brenizer Burst mode Contre-jour Cyanotype ETTR Fill flash Fireworks Harris shutter HDRI High-speed Holography Infrared Intentional camera movement Kirlian Kite aerial Long-exposure Macro Mordançage Multiple exposure Night Panning Panoramic Photogram Print toning Redscale Rephotography Rollout Scanography Schlieren photography Sabatier effect Stereoscopy Stopping down Strip Slit-scan Sun printing Tilt–shift Miniature faking Time-lapse Ultraviolet Vignetting Xerography Composition Diagonal method Framing Headroom Lead room Rule of thirds Simplicity Equipment Camera light-field field instant pinhole press rangefinder SLR still TLR toy view Darkroom enlarger safelight Film base format holder stock Filter Flash beauty dish cucoloris gobo hood hot shoe monolight Reflector snoot Softbox Lens Wide-angle lens Zoom lens Telephoto lens Manufacturers Monopod Movie projector Slide projector Tripod head Zone plate History Timeline of photography technology Analog photography Autochrome Lumière Box camera Calotype Camera obscura Daguerreotype Dufaycolor Heliography Painted photography backdrops Photography and the law Glass plate Visual arts Digital photography Digital camera D-SLR comparison MILC camera back Digiscoping Digital versus film photography Film scanner Image sensor CMOS APS CCD Three-CCD camera Foveon X3 sensor Image sharing Pixel Color photography Color Print film Reversal film Color management color space primary color CMYK color model RGB color model Photographic processing Bleach bypass C-41 process Cross processing Developer Digital image processing Dye coupler E-6 process Fixer Gelatin silver process Gum printing Instant film K-14 process Print permanence Push processing Stop bath Lists Most expensive photographs Photographers Norwegian Polish street women Category Portal Retrieved from "https://en.
Title: Effect Of Art On Society