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Must visit museum in Belgium:The Royal Museums of Fine Arts of BelgiumThe Royal Museum contains over 20,000 drawings, sculptures, and paintings, which date from the early 15th century to the present. The museum has an extensive collection of Flemish painting, among them paintings by Bruegel and Rogier van der Weyden, Robert Campin (the Master of Fl�malle), Anthony van Dyck, and Jacob Jordaens. The Museum also houses the famous painting The Death of Marat by Jacques-Louis DavidMust visit museum in Denmark: The National Museum of DenmarkThe National Museum is the museum for all Denmark, where you can follow the history of the Danes up until the present day.
At the National museum you can take a journey around the world from Greenland to South America. In addition, the museum sponsors SILA - The Greenland Research Centre at the National Museum of Denmark to further archaeological and anthropological research in Greenland.Must visit museum in England: The British MuseumThe British Museum has grown to become one of the largest museums in the world, displaying approximately 50,000 items from its collection.
Currently there are nearly one hundred galleries open to the public. The British Museum houses the world's largest and most comprehensive collection of Egyptian antiquities outside the Egyptian Museum in Cairo. A collection of immense importance for its range and quality, it includes objects of all periods from virtually every site of importance in Egypt and the Sudan. The Department of Greek and Roman Antiquities of the British Museum has one of the world's largest and most comprehensive collections of antiquities from the Classical world, with over 100,000 objects.
Must visit museum in France: The LouvreThe Musee du Louvre is one of the world's largest museums, the most visited art museum in the world and a historic monument. The museums collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings. The Louvre exhibits sculptures, objets d'art, paintings, drawings, and archaeological finds.
Today the Musee du Louvre contains more than 380,000 objects and displays 35,000 works of art over it's eight departments.Must visit museum in Germany: Pergamon MuseumThe Pergamon houses original-sized, reconstructed monumental buildings such as the Pergamon Altar, the Market Gate of Miletus, all consisting of parts transported from Turkey. The museum is subdivided into the antiquity collection, the Middle East museum, and the museum of Islamic art.
Must visit museum in Greece: National Archaeological MuseumThe National Archaeological Museum houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the great museums in the world and contains the richest collection of artifacts from Greek antiquity worldwide.Must visit museum in Hungary: Museum of Fine ArtsThe museum's collection is made up of international art, including all periods of European art, and comprises more than 100,000 pieces.
The collection is made up of various older additions such as those from Buda Castle, the Esterh�zy and Zichy estates, as well as donations from individual collectors. The Museum's collection is made up of six departments: Egyptian, Antique, Old sculpture gallery, Old painter gallery, Modern collection, Graphics collection.Must visit museum in Ireland:The National Museum of IrelandThe National Museum of Ireland is Ireland’s premier cultural institution and home to the greatest collections of Irish material heritage, culture and natural history in the world.
Whether online or in person, we hope your experience is engaging and inspiring.Must visit museum in Italy:Vatican MuseumsThe Vatican Museums, in Viale Vaticano in Rome, inside the Vatican City, are among the greatest museums in the world, since they display works from the immense collection built up by the Roman Catholic Church throughout the centuries. The Vatican Museums contain masterpieces of painting, sculpture and other works of art collected by the popes through the centuries.
The Museums include several monumental works of art, such as the Sistine Chapel, the Chapel of Beato Angelico, the Raphael Rooms and Loggia and the Borgia Apartment.Must visit museum in Latvia:Latvian National Museum of ArtThe Latvian National Museum of Art is the richest collection of national art in Latvia. It houses more than 52,000 works of art reflecting the development of professional art in the Baltic area and in Latvia from the middle of the 18th century up until the present time.
It also features Russian art from the 16th to the first half of the 20th century.Must visit museum in Luxembourg:National Museum of History and ArtNational Museum of History and Art houses a variety of collections from classical to modern art, archaeological artifacts, weapons, coins and more. It also has exibits that present Luxembourg's folklore and living culture from the 16th to the early 20th century.
Must visit museum in Monaco:Prince's Palace of MonacoThe Prince's Palace of Monaco is the official residence of the Prince of Monaco. Built in 1191 as a Genoese fortress, during its long and often dramatic history it has been bombarded and besieged by many foreign powers.The Prince's Palace of Monaco is the official residence of the Prince of Monaco. Built in 1191 as a Genoese fortress, during its long and often dramatic history it has been bombarded and besieged by many foreign powers.
Must visit museum in the Netherlands:Rijksmuseum AmsterdamThe Rijksmuseum Amsterdam is dedicated to arts, crafts, and history. It has a large collection of paintings from the Dutch Golden Age and a substantial collection of Asian art. The paintings collection includes works by artists Jacob van Ruysdael, Frans Hals, Johannes Vermeer, Jan Steen and Rembrandt and Rembrandt's pupils. The Rijksmuseum Research Library is also part of the Rijksmuseum, and is the largest public art history research library in The Netherlands.
Must visit museum in Northern Ireland:Ulster MuseumThe Ulster Museum is located in the Botanic Gardens in Belfast. Its collections features material from fine art and applied art, archaeology, ethnography, treasures from the Spanish Armada, local history, numismatics, industrial archaeology, botany, zoology and geology. It is the largest museum in Northern Ireland, it is also part of the National Museums Northern Ireland.
Must visit museum in Norway:Norwegian Museum of Cultural HistoryNorwegian Museum of Cultural History at Bygd�y in Oslo, is a large open air museum. Norsk Folkemuseum is one of Norway’s largest museum of cultural history. Among its more significant buildings are Gol stave church from the 13th century which incorporated was into the Norwegian Folk Museum in 1907.Must visit museum in Portugal:National Museum of Ancient ArtThe Museu Nacional de Arte Antiga, is the most important art museum in Portugal as well as being among the most important in Europe.
It is located in the Pal�cio de Alvor-Pombal. It is the best museum in which to understand the development of Portuguese art prior to the early nineteenth century. The museum collection includes painting, sculpture, metalwork, textiles, furniture, drawings, and other decorative art forms from the Middle Ages to the early nineteenth century.Must visit museum in Scotland:Kelvingrove Art Gallery and MuseumThe Kelvingrove Art Gallery and Museum houses one of Europe's great civic art collections.
It has one of the finest collections of arms and armour in the world and a vast natural history collection. The art collection includes many outstanding European artworks, including works by the Old Masters, French Impressionists, Dutch Renaissance, Scottish Colourists and proponents of the Glasgow School.Must visit museum in Spain:Prado MuseumThe Museo del Prado is a museum and art gallery featuring one of the world's finest collections of European art, from the 12th century to the early 19th century.
The collection currently comprises around 7,600 paintings, 1,000 sculptures, 4,800 prints and 8,200 drawings, in addition to a large number of works of art and historic documents.Must visit museum in Sweden:Skansen Open-Air MuseumSkansen located on the island Djurg�rden in Stockholm is home to the worlds oldest open-air museum. It attracts more than 1.3 million visitors each year. It has a unique collection of 150 historical buildings (from 1680-) offering a unique living history of Sweden and its different parts before the industrial era.
Must visit museum in Switzerland:The Ariana MuseumThe Mus�e Ariana, also known as the Mus�e suisse de la c�ramique et du verre, is a museum in Geneva, Switzerland. It is devoted to ceramic and glass artwork, and contains around 20,000 objects from the last 1,200 years, representing the historic, geographic, artistic and technological breadth of glass and ceramic manufacture during this timeMust visit museum in Turkey:Istanbul Archaeology MuseumsThe Istanbul Archaeology Museums houses over one million objects that represent almost all of the eras and civilizations in world history.
The ornate Alexander Sarcophagus, once believed to be prepared for Alexander the Great, is among the most famous pieces of ancient art in the museum. The museum has a large collection of Turkish, Hellenistic and Roman artifacts.Must visit museum in Wales:National Museum CardiffNational Museum Cardiff has collections of archaeology, botany, fine and applied art, geology and zoology. The collection of Old Master paintings in Cardiff includes, among other notable works, The Virgin and Child between Saint Helena and St Francis by Amico Aspertini, The Poulterer's Shop by Frans Snyders and A Calm by Jan van de Cappelle.
A collection of landscape paintings in the classical tradition includes works by Claude, Gaspard Dughet and Salvator Rosa. There is a gallery devoted to British patronage of the eighteenth century, in particular that of Sir Watkin Williams Wynn.
Different Essential Artwork Principles have progressed comprehensive distinctive eras, together with the transforming artists' perceptions of processing, examining, and responding to varied art kinds. Their inventive expressions have already been explored by their generation, general performance, and participation in arts. Just about every historic period has offered novel contribution of historical and cultural contexts for establishing the main element Arts Fundamentals on the pertinent interval. Visible Arts assistance artists assimilate the key Arts Ideas of Symmetry, Coloration, Pattern, Contrast as well as the variances among one or maybe more elements during the composition. The important thing Art Concepts of Visible Arts enable realize and distinguish amongst the size for instance, Symmetry & Asymmetry, Positive & Negative Space, Light & Dark, Solid & Transparent, and Large & Small.See Also: Bemis School Of Art
Artwork plays a vibrant role in the personal life of the individual as well as during the social and economic development in the nation. The study of Visual arts encourages personal development and the awareness of both our cultural heritage as well as role of artwork from the society. The learner acquires personal knowledge, skills and competencies through activities in Visual arts. When one studies Visible arts, he/she would come to appreciate or have an understanding of that art is an integral part of everyday life.
Not to be confused with Artist collective or Artist cooperative. Artist houses in Montsalvat near Melbourne, Australia. An art colony or artists' colony is a place where creative practitioners live and interact with one another. Artists are often invited or selected through a formal process, for a residency from a few weeks to over a year. Beginning with the early 20th century models, such as MacDowell Colony and Yaddo, hundreds of modern-day artist colonies now offer the benefit of time, space, and collaborative time away from the usual workaday world.
Worldwide, the two primary organizations serving artist colonies and residential centres are Res Artis, based in Amsterdam, and the Alliance of Artists Communities, based in Providence, Rhode Island. The Intra Asia Network, based in Taiwan, is a less formal body working to advance creative communities and exchanges throughout Asia. These consortia comprise most of the world's active artists' colonies.
The art movement itself has only started to be investigated by scholars, with the chief historical studies consisting of Michael Jacobs's introductory The Good and Simple Life and Nina Lübbren’s Artists’ Colonies in Europe 1870-1910. Formative period in Europe Art colonies initially emerged as village movements in the 19th and early 20th century. It is estimated that between 1830 and 1914 some 3000 professional artists participated in a mass movement away from urban centres into the countryside, residing for varying lengths of time in over 80 communities.
There seem to have been three chief forms of these settlements, consisting of villages with transient and annually fluctuating populations of artists—mostly painters who visited for just a single summer season (such as Honfleur, Giverny, Katwijk, Frauenchiemsee, Volendam and Willingshausen); villages with a semi-permanent mix of visiting and resident artists (Ahrenshoop, Barbizon, Concarneau, Dachau, St Ives, Laren, and Skagen); and villages in which a largely stable group of artists decided to settle permanently (Egmond, Sint-Martens-Latem, Newlyn and Worpswede).
In the latter villages, artists invariably bought or built their own houses and studios. While artist colonies appeared across Europe, as well as in America and Australia, Lübbren has found that the majority of colonies were clustered in the Netherlands, Central Germany, and France (encircling Paris). Overall, artists of 35 different nationalities were represented throughout these colonies, with Americans, Germans and British forming the largest participating groups.
This gave socialising a cosmopolitan flavour: 'Russia, Sweden, England, Austria, Germany, France, Australia and the United States were represented at our table, all as one large family, and striving towards the same goal,' the painter Annie Goater penned in 1885 in an essay on her recent experiences at one French colony. Villages can also be classified according to the nationalities they attracted.
Barbizon, Pont-Aven, Giverny, Katwijk, Newlyn and Dachau drew artists from around the world and had a pronounced international flavour. Americans were always a major presence at Rijsoord, Egmond, Grèz-sur-Loing, Laren and St Ives; Grèz-sur-Loing went through a Scandinavian phase in the 1880s; and Germans were the largest group after the indigenous Dutch at Katwijk. On the other hand, foreigners were rare at Sint-Martens-Latem, Tervuren, Nagybanya, Kronberg, Staithes, Worpswede and Willingshausen while Skagen hosted mainly Danes and a few other Scandinavians.
 Some painters were renowned within artistic circles for settling down permanently in a single village, most notably Jean-François Millet at Barbizon, Robert Wylie at Pont-Aven, Otto Modersohn at Worpswede, Heinrich Otto at Willinghausen, and Claude Monet at Giverny. They were not necessarily leaders, although these artists were respected and held a certain moral authority in their respective colonies.
There were also regular 'colony hoppers' who moved about the art colonies of Europe in a nomadic fashion. Max Liebermann, for instance, painted at Barbizon, Dachau, Etzenhausen and at least six short-lived Dutch colonies; Frederick Waugh worked in Barbizon, Concarneau, Grèz-sur-Loing, St Ives and Provincetown in the United States; Evert Pieters was active at Barbizon, Egmond, Katwijk, Laren, Blaricum, Volendam and Oosterbeek; Elizabeth Armstrong Forbes painted at Pont-Aven, Zandvoort, Newlyn and St Ives.
 The greater number of early European art colonies were to be casualties of the First World War. Europe was no longer the same place socially, politically, economically and culturally, and art colonies seemed a quaint anachronism in an abrasively modernist world. However, a small proportion did endure in one or another form, and owe their continuing existence to cultural tourism. The colonies of Ahrenshoop, Barbizon, Fischerhude, Katwijk, Laren, Sint-Martens-Latem, Skagen, Volendam, Willingshausen and Worpswede not only still operate in a modest fashion, but run their own museums where, besides maintaining historic collections of work produced at the colony, they organise exhibition and lecture programs.
If they have not fared as well, several formerly major colonies such as Concarneau and Newlyn are remembered via small yet significant collections of pictures held in regional museums. Other colonies succumbed during the late 20th century to cultural entrepreneurs who have redeveloped villages in the effort to simulate, within certain kitsch parameters, the 'authentic' appearance of the colony during its artistic heyday.
This is not always successful, with Giverny, Grèz-sur-Loing, Kronberg, Le Pouldu, Pont-Aven, Schwaan and Tervuren probably being among the most insensitively commercialised of the former art colonies. American colonies Some art colonies are organized and planned, while others arise because some artists like to congregate, finding fellowship and inspiration—and constructive competition—in the company of other artists.
The American Academy in Rome, founded in 1894 originally as the American School of Architecture, which in the following year joined with the American School of Classical Studies, is often cited as the early model for what would become the modern arts and humanities colony. Its well-funded, well-organized campus, and extensive program of fellowships, were soon replicated by early 20th-century artist colonies and their wealthy benefactors.
The Provincetown art colony came into being when Charles Webster Hawthorne opened his Cape Cod School of Art there in the summer of 1899. Other noted artists arrived and expanded the colony. In 1914 the Provincetown Art Association was founded. Business and professional people from the community as well as established artists provided the initial leadership and by 1916, a Boston Globe headline read "Biggest Art Colony in the World at Provincetown.
"  Provincetown claims to be the oldest continuously operating artist's colony in the United States. The Woodstock Art Colony in Woodstock, New York began as two colonies: first Byrdcliffe, founded in 1902 by Ralph Radcliffe Whitehead, Hervey White, and Bolton Brown, and then the Maverick Colony, founded by Hervey White after seceding from Byrdcliffe in 1904. The town of Woodstock remains an active center of art galleries, music, and theatrical performances.
The high desert town of Sedona, Arizona, became a Southwest artists' colony from the mid-20th century. Modernists Max Ernst and Dorothea Tanning arrived from New York in the late 1940s, when the town was populated by less than 500 ranchers, orchard workers, merchants, and small Native American communities. Among the Wild West setting, Ernst built a small cottage by hand in Brewer Road, and he and Tanning hosted intellectuals and European artists such as Henri Cartier-Bresson and Yves Tanguy.
Sedona proved an inspiration for the artists, and for Ernst—who compiled his book Beyond Painting and completed his sculptural masterpiece Capricorn while living there. The environment also inspired Egyptian sculptor Nassan Gobran to move there from Boston and become head of the art department at Verde Valley School. In Southern Arizona in the early and mid-twentieth century, the Historic Fort Lowell enclave outside of Tucson, Arizona, became an artistic epicenter.
The adobe ruins of the abandoned nineteenth century United States Cavalry fort had been adapted by Mexican-Americans into a small village called "El Fuerte." During the 1920s, 30s and 40s, artists, writers and intellectuals, attracted by the rural elegance and stark landscape of the Sonoran Desert, and romanticism of the adobe ruins began buying, redesigning and building homes in this small community.
Notable artists included Dutch-born artist Charles Bolsius, Black Mountain College instructor and photographer Hazel Larson Archer, architectural designer and painter Veronica Hughart, early modernist Jack Maul, French writers and artists René Cheruy and Germaine Cheruy, and noted anthropologists Edward H. Spicer and Rosamond Spicer. The MacDowell Colony in Peterborough, N. H., was founded in 1907 by composer Edward MacDowell and his wife, Marian.
MacDowell was inspired by his knowledge of the American Academy in Rome, and its mission to provide American artists with a home base at the centre of classical traditions and primary sources. MacDowell, who was a trustee of the American Academy, believed that a rural setting, free from distractions, would prove to be creatively valuable to artists. He also believed that discussions among working artists, architects and composers would enrich their work.
In upstate New York on Lake George Golden Heart Farm art colony the summer residence of Thomas and Wilhelmina Weber Furlong of the Art Students League of New York opened in the summer of 1921. The colony and artists in residence activity were at the center of the American modernist movement as important artists from Manhattan traveled to Golden Heart Farm to escape the city and study with the couple In Maryland, the Mid-Atlantic Plein Aire Company, most notable for the involvement of artist William David Simmons, is to this day active in its mission to bring local artists in touch with classical painting traditions.
Another famous colony, Yaddo in Saratoga Springs, N.Y., soon followed. Spencer Trask and his wife Katrina Trask conceived the idea of Yaddo in 1900, but the first residency program for artists did not formally initiate until 1926. Ox-Bow School of Art and Artists' Residency was founded in 1910 by Frederick Fursman and Walter Marshall Clute, two faculty members from the School of the Art Institute of Chicago (SAIC).
Fursman and Clute's vision was to create a respite where faculty and students could immerse themselves completely in artmaking, surrounded by a supportive community of artists and an inspired landscape of natural dunes, woods and water. Ox-Bow is located in Saugatuck, Michigan. In Delray Beach, Florida, a seasonal Artists and Writers Colony existed during the winter months from the mid-1920s until the early 1950s.
The Delray Beach enclave was noted for attracting many famous cartoonists of the era. In 1973, Edna St. Vincent Millay's sister Norma created the Millay Colony for the Arts at the historic site of Steepletop in Austerlitz, NY. The Taos art colony in Taos, New Mexico is an example of more spontaneous development. Once artists began settling and working in Taos, others came, art galleries and museums were opened and the area became an artistic center—though not a formal, funded art colony providing artists with aid, as Yaddo and MacDowell do.
 An influential art colony in New York was the Roycroft community. Nearby was the cabin of the Saturday Sketch Club used by Buffalo art students who specialized in outdoor oil painting. Jerome, Arizona is a town of 400 people that was once a thriving copper mining town of 15,000. When the mines closed, Jerome became a ghost town in the 1950s. In the 1960s hippies discovered Jerome and settled there atop the Mingus Mountains, with a sweeping view of Sedona and the Verde Valley.
Today, much of the population is working artists, writers, and musicians with a very eclectic mix of art galleries and working studios, open to the public. The artists at Carmel-by-the-Sea, California coalesced in 1905 and incorporated their art gallery and meeting rooms a year later as the Carmel Arts and Crafts Club. They staged annual and special exhibitions, which attracted distinguished visiting artists from across the country, and provided professional instruction in painting, sculpture, and crafts.
At the urging of his former student Jennie V. Cannon, William Merritt Chase was persuaded to teach his last summer school here in 1914. Between 1919 and ca.1948 it was the largest art colony on the Pacific Coast of the United States. In 1927 the Carmel Art Association replaced the Arts and Crafts Club and thrives today as the nexus of for the art community on the Peninsula of Monterey, California and Big Sur.
The Carmel Art Institute was established in 1938 and included among its illustrious instructors Armin Hansen and Paul Dougherty. Eastern European colonies in the 20th and 21st century Many art colonies continue across Eastern Europe in Bulgaria, Slovenia, Croatia, Macedonia and Serbia. They are organised by a range of bodies including city councils, monasteries, private collectors and artists.
Generally the colonies only exist for a few weeks each year as many of the participants work on an academic calendar. Some of the colonies (Stumista) have been in existence for over 40 years and their reputation allows them to attract a range of international artists. Some examples of these groups may be found at: Gamzigrad - Serbia Ohrid Colony Ramazzoti - Macedonia Strumitsa - Macedonia Veles - Macedonia Other notable examples Europe France Students at work at the Newlyn Art School, 1910 Argenteuil (Monet, Sysley then Signac) Auvers-sur-Oise (Van Gogh, Gauguin) Barbizon (Rousseau, Millet) Ceret (Soutine, Krémègne, Masson, Marquet) Étaples (Henri Le Sidaner, then English-language Impressionists and Post-Impressionists between 1890-1914) Giverny (Monet) Grez-sur-Loing (Corot, Larsson) Pont-Aven and Le-Pouldu (Gauguin, Sérusier) United Kingdom Chipping Campden, Gloucestershire Ditchling, Sussex Glasgow School, Glasgow Newlyn, Cornwall (Stanhope Forbes, Laura Knight, Gotch, Tayler, Tuke) St.
Ives, Cornwall (Hepworth) Staithes, North Yorkshire (Laura Knight, Anderson, Bagshawe, Barrett, Booth) Walberswick, (Suffolk)(Steer, Keens) Cockburnspath, (Lammermuir) (Guthrie, Cawhall, Melville) Kirkcudbright, (Dumfries) [(Glasgow School)] The Holland Park Circle, Holland Park, West London (George Frederic Watts, Frederic Leighton, Val Prinsep, Luke Fildes, William Burges, Hamo Thornycroft, Marcus Stone, William Holman Hunt) Germany Ahrenshoop Benz Dachau art colony Hiddensee Kronberg Kallmünz Worpswede Schwaan Greece Argalasti, south Pelion Belgium Sint-Martens-Latem Tervuren Cyprus Lempa Denmark Skagen (the Skagen Painters) Bornholm school of painters Funen Painters Odsherred Painters Norway Åsgårdstrand, Norway Netherlands Bergen, North Holland Domburg Katwijk Laren Kortenhoef Scheveningen Noorden Oosterbeek Rijsoord Finland Önningeby (Åland) Tuusula Poland Kazimierz Dolny Krzemieniec (today Kremenets in Ukraine) Zakopane Lithuania Nida (also known as Nidden) Hungary Epreskert Art Colony, Budapest Gödöllő Hódmezővásárhely Kecskemét Nagybánya (today Baia Mare, Romania) Százados Road Art Colony, Budapest Szentendre Szolnok Russia Abramtsevo Peredelkino Talashkino Serbia Savamala, Belgrade Australia Artists' camps, around Sydney harbour, Australia (1880s to 1890s) Montsalvat, Melbourne, Australia (1930s to present) Americas Brazil Instituto Sacatar, Salvador, Brazil Mexico San Miguel de Allende, Guanajuato, Mexico Canada Emma Lake Artist's Workshops, Emma Lake, Saskatchewan, Canada  United States Artist Gerald Cassidy's home in Santa Fe, circa 1937.
Cassidy was a founding member of the Santa Fe art colony in the early 20th century. Arden, Delaware Berkeley, California Bolinas, California Brandywine School, Chadds Ford, Pennsylvania Brattleboro, Vermont Brown County Art Colony, Brown County, Indiana Bug Tussle, Alabama Byrdcliffe Colony, Woodstock, New York  Carl Street Studios, Old Town, Chicago Carmel-by-the-Sea, California Cornish Art Colony, Cornish, New Hampshire Cos Cob, Connecticut Delray Beach, Florida Eagle's Nest Art Colony East Aurora, New York, Roycroft campus Galena, Illinois Gloucester, Massachusetts Grand Marais, Minnesota Greenwich Village, New York City Headlands Center for the Arts, Fort Barry, California Hudson, New York Isles of Shoals, Maine/New Hampshire Jerome, Arizona Laguna Beach, California MacDowell Colony, Peterborough, New Hampshire Marfa, Texas Millay Colony, Austerlitz, New York Monhegan, Maine Montclair, New Jersey Monterey, California Nespelem, Washington New Hope, Pennsylvania New Rochelle artist colony, New Rochelle, New York Nook Farm, Connecticut Norman, Oklahoma North Conway, New Hampshire Nyack, New York Oakdale, New York Oakland, California Old Lyme Art Colony, Old Lyme, Connecticut Ogunquit, Maine Pacific Grove, California Palenville, New York (America's first spontaneous art colony) Pond Farm, Guerneville, California Provincetown, MassachusettsFine Arts Work Center, Provincetown, Massachusetts Ragdale, Lake Forest, Illinois Richmond Group, Richmond, Indiana Rockport, Massachusetts Santa Fe, New Mexico Sausalito, California Silvermine, Connecticut Skowhegan, Maine South Mountain Road, New City, New York St.
Augustine, Florida Stone City Art Colony, Stone City, Iowa Taos, New Mexico The Studios of Key West, Florida Tree Studio Building and Annexes, Chicago, Illinois Ucross Foundation, Wyoming Village of the Arts, Bradenton, Florida Virginia Center for the Creative Arts, Amherst, Virginia The Wassaic Project, Wassaic, New York Williamsburg, Brooklyn, New York City Woodstock, New York  Yaddo, Saratoga Springs, New York  Uruguay Fundación Pablo Atchugarry, San Carlos Municipality, Maldonado See also Art commune References ^ Jacobs, Michael (1985).
The Good and Simple Life: Artist Colonies in Europe and America. Phaedon. ^ a b c d e f g h i j k l m Lübbren, Nina (2001). Rural Artists' Colonies in Europe 1870-1910. Manchester University Press. ^ a b Provincetown History: The Art Colony, A Brief History ^ Provincetown Tourism Office Archived July 16, 2014, at the Wayback Machine. ^ The Maverick: Hervey White's Colony of the Arts, exh. cat. Woodstock: Woodstock Artists Association and Museum, 2006.
^ The Biography of Wilhelmina Weber Furlong: The Treasured Collection of Golden Heart Farm by Clint Bernard Weber, ISBN 0-9851601-0-1, ISBN 978-0-9851601-0-4 ^ Credle-Rosenthal, McCall (2003). Images of America: Delray Beach. Charleston, South Carolina: Arcadia Publishing. pp. 43–60. ISBN 978-0-7385-1570-0. Retrieved 2015-01-19. ^ Sandy Simon (1999). Remembering: A History of Florida's South Palm Beach County 1894-1998.
The Cedars Group. ISBN 0-9669625-0-8. ^ a b c d e f g h i j k l Shipp, Steve (1996). American Art Colonies, 1850-1930: A Historical Guide to America's Original Art Colonies and Their Artists. Greenwood Publishing. p. 159. ISBN 9780313296192. ^ a b c Edwards, Robert W. (2012). Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1. Oakland, Calif.: East Bay Heritage Project.
pp. 47–105, 132–150, 177–236. ISBN 9781467545679. An online facsimile of all of Vol. 1 is posted at the Traditional Fine Arts Organization Archived April 29, 2016, at the Wayback Machine.. ^ Trans artists art colonies, Emma Lake, Saskatchewan Retrieved October 15, 2011 ^ a b NY Times, Woodstock Art Colony tells its story Retrieved October 15, 2011 ^ NY Times, Yaddo Artist Colony names new President Retrieved October 15, 2011 External links ArtistCommunities.
org Artist colonies in the US Retrieved from "https://en.wikipedia.org/w/index.php?title=Art_colony&oldid=823668439"
Title: Art Of Living Europe